RENTALS

Filmmakers get more control over what they capture with Mavic 3 Pro Cine Drone from DJI. This flagship drone adds a third lens to the system, with a 70mm f/2.8 medium telephoto, enhancing your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining is the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f/3.4 and 60 FPS for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro Cine safe for even beginner pilots.

Triple-Lens Camera System

• 24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f/2.8 to f/11 aperture and large 4/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG.

• 70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f/2.8 aperture and 1/1.3" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes.

• 166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f/3.4, letting more light in for better low-light performance using its 1/2" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups.

Safe Flying

An omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.

Cine Features

This Cine version of the Mavic 3 Pro is geared even more towards professional use, with Apple ProRes 422, 422 HQ, 422 LT, and H.264/H.265 encoding support across all three cameras. It also features a built-in 1TB SSD drive for capturing a significant amount of footage for more efficient and cost-effective flights.

Intelligent Flight Modes

• Waypoint Flight

• Cruise Control

• Hyperlapse

• MaserShots

• FocusTrack

• Panorama

• QuickShots

Additional Features

• Up to 43 minutes of flight time

• O3+ video transmission from up to 9.3 miles away

• Supports optional DJI Goggles 2, Goggles Integra, and RC Motion 2 for a more immersive flight experience

Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

Features

• High mobility for solo shooting

• Full Frame 8.6K (8632 x 4856) CMOS sensor with 16 stop dynamic range

• Dual Base ISO of 800/3200

• In-body Image Stabilization (3-axis PL mount, 5-axis Sony E-mount)

• Electronic variable ND (0.6 ~ 2.1 ND)

• Auto Focus with Face/Eye tracking technology

• Phase detection AF (Max 627 points)

• PL and Sony E-mount

• Full Frame and S35 sensor modes

• Multiple resolution support

The world's first digital cinema camera with an interchangeable E-mount and PL-mount lens, making it compatible with all Super35 and Full-Frame PL lenses. Its compact and lightweight design makes it an exceptional tool of filmmakers who need to remain nimble during long days on set. The camera's 8.6K full-frame sensor mirrors the remarkable capabilities of the Sony VENICE, along with a generous 16-stop dynamic range and a dual base ISO range of 800/3200 to ensure minimal noise even in dimly lit environments. Offering exceptional flexibility, the BURANO succeeds at shooting up to 30fps in FF 8.6K, 60fps in FF crop 6K, S35 5.8K, and an impressive 120fps in S35 crop 4K. Its in-body image stabilization and phase detection autofocus system with 627 points will also keep your subject in pin-sharp focus for consistently smooth and pristine footage.

Featuring a compact, lightweight carbon body, the ARRI ALEXA Mini complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range. Its 35mm-sized CMOS sensor features a titanium mount and a 4:3 aspect ratio. Use the preinstalled ARRI Look Library license to quickly apply any of 87 graded looks to your footage.

Operate the ALEXA Mini via wireless remote control, using the MVF-1 viewfinder, or while viewing an onboard monitor. Its small size suits it for use with gimbals, handheld rigs, or quadcopters and for multicamera shots, and in tight quarters. The lens mount is interchangeable, opening up a wider choice of lenses such as EF-mount still lenses. The ALEXA Mini can make use of ARRI AMIRA mounts, a boon for shooters working with both units.

Image quality, formats, and workflow are identical to those offered by other ALEXA models, enabling you to produce matching images across cameras, including in anamorphic mode. Record ProRes or ARRIRAW to an internal CFast card or externally to a Codex recorder (not included). Up to four ALEXA Minis can record simultaneously to one Codex recorder. The Mini's maximum frame rate of 200 fps (ProRes) enables you to avoid adding a separate camera for high-speed work.

The ALEXA Mini's integrated lens motor control is a space-saving feature useful when using gyro-stabilized and other specialized rigs, eliminating the need for an external control box. Integrated Wi-Fi connectivity enables the use of iOS or Android devices for remote control. Remote control is also possible using the ARRI WCU-4 hand unit. The ALEXA Mini offers high-quality performance in underwater locations and other low-light settings.

Built-in, motorized ND filters let you quickly respond to ambient light changes; this internal design also frees up a slot in your matte box for another filter. The ARRI LDS (lens data system) function is also built into the ALEXA Mini, enabling your AC to quickly adjust to changing parameters displayed on a control unit during a shot.

Using the power and large pixels of the 4:3 ALEV III sensor, the ALEXA Mini records up to UHD 4K ProRes images with the dynamic range, skin tones, and true-to-life colors for which ARRI cameras are noted. Recording in Open Gate and MFX/ARRIRAW formats requires additional, downloadable licenses (not included). Looking ahead to future standards, the wide dynamic range of the ALEXA Mini makes it suitable for HDR displays, and its 0.75-200 fps speed range can be used for increasingly-popular HFR (high frame rate) capture modes.

ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and richer, more accurate color reproduction. This ALEXA 35 Body & LBUS PL Mount Set combines the ALEXA 35 camera with a Cine License, an LBUS PL mount, a B-mount battery plate, and a BUD-1 Utility Dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

4.6K Super35 ARRI ALEV 4 CMOS Sensor

Key to the ALEXA 35's amazing image quality is a new 4.6K Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.

Video Recording Formats

In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.

Stray Light Suppression

Stray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.

High ISO Camera

With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.

REVEAL Color Science

Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

• A new debayering algorithm combines with the ALEXA 35's impressive processing power to create cleaner-edged images that are perfect for compositing work.

• The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.

• The AWG4 camera color space is larger than Rec. 2020 but bypasses "virtual" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.

• A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.

• New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.

• The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.

Versatile Lens Choices

• This PL Mount Set comes with an LBUS PL mount, providing compatibility with a wide array of cine-style lenses.

• Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options.

• The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.

Full Feature Set in a Compact Form

At 8 x 6 x 5.8", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.

Interfaces

• Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display "screensaver", creating a quick visual reminder for any stop compensation needed.

• Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.

• Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed-reality productions (MRP).

• Audio: The ALEXA 35 audio options include two internal microphones like the ALEXA Mini LF, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.

24V B-Mount Battery Power

The 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. The separately available PDM-1 Power Distribution Module can be used to add seven more accessory power ports.

Dedicated Accessories

• Accessories in this PL Mount Set include the BUD-1 Balance Utility Dovetail and a B-Mount Battery Adapter.

• Separately available electronic accessory options include the Multi Viewfinder MVF-2, the PDM-1 power distribution module, and the AEM-1 audio extension module with one AES3/AES42 and two mic/line mini-XLR inputs.

ARRI Tools and Apps

Make both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files, for SDR and HDR conversions, and to export Apple ProRes, OpenEXR, and TIFF files.

With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.

Firmware Update v.2.0

With firmware update 2.0, Sony aligns the FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.

When updating from v.1.01 or earlier:

• Note your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01

• S-Log2 will no longer be included; you must use S-Log3

• Connecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.

• Note that the NFC one-touch connection function will no longer be available

Expressive UHD 4K Video Capture

The FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

4K Full-Frame CMOS Exmor R Sensor

A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.

S-Cinetone Color

Beautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.

Video Recording

Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.

• Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60

• Dual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording

• Super35 1080p capture at rates up to 240p

Steady Focus

• Now even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.

• Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.

• Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame

Ergonomic Form for Solo Operation

The FX3's cage-free design enables you to mount ¼"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.

Easily Viewable Tally Lights

Top, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.

Quality Audio Options

Pro audio recording options include:

• A detachable XLR adapter handle with two XLR-1/4" TRS combo audio inputs

• A mic holder and a 3.5mm input for adding a microphone

• Up to 4-channel, 24-bit audio recording

Remote Control, Streaming, and Transfers

Control your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.

Post-Production Stabilization with E-Mount Lenses

• Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image

• An adjustable balance between shake compensation and image area trimming lets you fine-tune the image

Improved FX3 Features

The FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.

Common FX3/FX6/a7S III Features

Like the FX6 and the a7S III, the FX3 features:

• Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor

• High-speed rates of 120p in 4K and 240p in HD

• A dynamic range of 15+ stops

Shared FX3/FX6 Attributes

Attributes that the FX3 has in common with the larger FX6 camera include:

• S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options

• Tally lamps on the front, side, and rear

• An internal fan to prevent overheating

• A zoom lever for easy frame adjustments

Shared FX3/a7S III Attributes

Attributes that the FX3 shares with the a7S III include:

• 5-axis in-body image stabilization

• 16-bit raw output via HDMI

• S-Log2 gamma choice

• 80 to 409,6000 ISO range (expanded)

Wireless Connectivity

• Dual-band 2.4/5 GHz wireless connectivity

• Wired LAN link using the USB Type-C port and a separate adapter

The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.

4K Full-Frame Exmor R Sensor

The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.

Compact, Single-Operator Design

Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.

Versatile Addition to Sony Cinema Line

As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.

Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:

• It matches the FX9's video capture up to DCI 4K60

• Has the same S-Cinetone, S-Log3, and HLG gamma choices 

• Outputs 16-bit raw like the FX9

• Sony E lens mount

• Offers the same 1/4 to 1/128 ND options

• Also provides 2-channel XLR audio inputs

FX6 differences from the FX9:

• 4K capture vs 6K

• Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port

• Incorporates a timecode port but lacks the FX9's genlock connector

Improved FX6 specs include:

• An ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range

• Top frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD

• Dual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option

Firmware Update v1.10

• Adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I

• Improves the overall stability of the FX6 camera

15+ Stops of Dynamic Range

• Captures a whopping 15+ stops of dynamic range

• Creates nuanced, high-resolution images

• Select the Cine EI mode with S-Log3 for the maximum dynamic range

Wide ISO Range

Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.

Electronically Variable ND Filters

• Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions

• Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot

• Both options will produce properly exposed images without affecting your chosen depth of field

Advanced XAVC Codec Options

The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s.

High Frame Rate Selections

For slow-motion and fast action looks, choose from full-frame rates ranging from:

• 1-60 fps in HD to DCI 4K resolutions

• 100 or 120 fps in HD through UHD 4K 

• 150, 180, 200, or 240 fps in Full HD 

Super35 choices include:

• 1-60, 100, and 120 fps in Full HD

Expressive Cinematic Look

Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.

Fast Hybrid/Phase Detection Autofocus

• The FX6 is compatible with 50+ native Sony E-mount lenses

• Improved autofocus choices include Face Detection and Eye Autofocus modes

• Enables rapid focusing with extremely sharp accuracy, even in lower-light settings

• The phase detection autofocus uses seven transition-speed steps and five subject-sensitivity

Image Stabilization and More with Catalyst and Metadata

Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction.

Touchscreen 3.5" LCD Control

The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels.

Reliable Design and Construction

Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.

4-Channel Audio Recording

The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.

Professional Input/Output Interface

• FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring

• Provides an HDMI output and 12-bit raw output via SDI

• Has a timecode input and output for syncing multiple cameras

• Incorporates a built-in Wi-Fi module

CFexpress Media Slots and Multiple Recording Modes

The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture.

Modular, Grab-and-Go Design

The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.

Content Browser Mobile Compatibility

• Use the separately available Content Browser Mobile app with a compatible smartphone or remote control

• The FX6's Wi-Fi function enables remote monitoring and focus/iris/zoom control

RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.

All-in-One Design

Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.

Firmware Update v.1.5.5

• Fixed playback stuttering at high frame rates, German SLA causing a camera shutdown, and RFB raw metering in 6K full frame

• Improved LCD sync issues in playback with anamorphic formats

• Improved general stability

6K S35 Sensor

• The KOMODO 6K features a 6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160

• Take advantage of the 6K resolution to capture in 6K full frame or do a 4K or HD crop

• Use the higher resolution to stabilize your shot in post-production

Global Shutter

The KOMODO 6K's global shutter produces crisp images while reducing motion artifacts.Records fast-moving action the way it should be without blurred or curved lines.Captures every moment, burst, and flash without losing any dynamic range or image quality.

Canon RF Mount

The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.

Phase-Detect Autofocus

A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.

REDCODE RAW

The robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time. The KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.

CFast Recording

Capture at rates up to 280 MB/s on RED PRO or qualified third-party CFast 2.0 cards.

REDCODE Options

• HQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion

• MQ is great for cinema and high-end TV projects

• LQ is ideal for TV, online content, documentaries, interviews, and long takes

Apple ProRes Formats

For proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K).

Color Management

Supports 3D LUTs and RED color science.

Touchscreen Display

Integrated 2.9" touchscreen LCD screen for video preview and camera control.

Versatile Power Options

The KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply.

Pairing streamlined, dependable multicamera setups and rich, natural Super35 imaging, the ARRI AMIRA Live Camera delivers an efficient, cinematic workflow for your live broadcast needs. Using the same ALEV III Super35 sensor as the rest of the AMIRA line, the AMIRA Live ticks off cine-style boxes like shallow depth of field, high dynamic range, the ARRI Look Library, and 3D LUT support. At the same time, its cable-free configuration with the separately available 1800 fiber back aligns the AMIRA with more typical broadcast-style cameras, eliminating the dreaded accidental disconnect with potential port damage and speeding your build time.

Created specifically for multicamera use, the AMIRA includes the Advanced, UHD 4K, and ARRI Look Library License Keys to help match your AMIRA or ALEXA footage. Shared AMIRA functions include a 14+-stop dynamic range, an EI range of 160 to 3200, motorized ND filters, CFast 2.0 recording, and a pre-record buffer. This camera's versatile recording options include up to 2.8K ARRIRAW, UHD 4K60 ProRes, and from 1-200 fps in 2K and HD ProRes.

With SUP 6.1, ARRI introduces enhanced multicamera functions like an always-welcomed faster boot-up time, improved sharpness and noise reduction, user-button intercom talkback for easier shoulder-mounted communication, and a green tally viewfinder function. And in a boon for shooters used to cine-style capture, SUP 6.1 also eliminates the need for a separate box for direct RCP iris control of cine-style lenses when using RF FIZ motors.

Bespoke Multicamera Design

All cables between the AMIRA Live camera and an 1820 fiber back have been internalized, resulting in a lower chance of accidental disconnection or port damage, speedier build times, and a neater look more in keeping with traditional broadcast cameras.

Same S35 Sensor as ALEXA for Cinematic Look

The AMIRA Live uses the same ALEV III Super35 CMOS sensor as the ALEXA line, providing outstanding image quality, advanced color science, natural skin tones, and over 14 stops of dynamic range.

Up to 2.8K ARRIRAW/UHD 4K60 ProRes Capture

Versatile recording options include 2.8K ARRIRAW, UHD 4K60 ProRes, and 1-200 fps capture in 2K and HD ProRes for slow-motion, intervalometer, and stop-motion effects.

Simultaneous Recording and Streaming

Record in-camera to CFast 2.0 cards while simultaneously transmitting live, cinema-quality HD, or UHD images to a broadcast facility, viewing monitor, or social media platform.

Interchangeable Lens Mounts

Separately available lens mounts include PL, LPL, EF, B4, and Leitz M options, providing compatibility with a wide array of both cine-style and broadcast lenses.

8K Interchangeable Sensor Digital Cinema Camera

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery. Dual ISO

The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. 

Sensor

The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.

Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Lens Mount

• The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.

• Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.

Internal ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops).

Servo Control

The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in an underwater housing.

Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39' for placing the sensor and your lens in places too small for the camera body, the camera's smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

Super35 17:9 and 16:9

These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.

Color Gamut

The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

New VENICE 2 Functions

• Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing

• Apply LUTs to your 4K or HD (6G/1.5G-SDI) output

• LUT/ART/CDL file import via Ethernet/Wi-Fi

• ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata

• VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

• The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera

• Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)

• Support for the X-OCN XT recording format

• De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x

• Cache rec function

• AXS Relay rec function

• Simultaneous format

• Support for 6G/12G output SDI

• Improved imaging assist function

• Support for CBK-WA02 Wireless LAN Adapter

• Improved VF menu operations and Frame Line setting

• Support for CDL files

• 5.7K at 16:9 up to 72 fps

• 4K at 6:5 up to 72 fps

• 3.8K at 16:9 up to 110 fps

• 3D LUT viewable in the viewfinder

• ART (Advanced Rendering Transform) file imports

• Updated switching for SDI 1-4 3G-SDI level A/B

• Addition of second user frame line of 9:16 and 1:1 preset

• Record beep and alarm volume adjust

• Ability to maintain CamID+Reel# when loading ALL file

• Displaying of Genlock and TC lock status on OSD

• Setting of de-squeeze on/off via the USER button

• Updated RCP Call function

• Record gyro information in metadata

• Support for ZEISS eXtended Data from FUJINON Premista-series lenses

The GoPro HERO10 Black Deluxe Kit put together by B&H includes the HERO10 Black action camera, a battery, mounting buckles, a USB cable, a small case, an extra battery, a dual-battery charger, a 64GB microSD card, a Shorty handle/tripod, a head strap with quick clip, a Chesty chest strap, and a soft-sided Casey LITE to carry the whole kit.

The HERO10 Black adds improved image stabilization, 5.3K60 video capture, 23MP stills, and many other improved features over its predecessor model. The included GoPro Shorty accessory works as a handgrip, mini tripod, and extension arm. The head strap and Chesty join the basic mounts, providing a variety of mounting options when you are performing motion shots.

Read more below about the items in this kit.

GoPro HERO10 Black

Updating their flagship action camera with a 23MP sensor and a new G2 chip design for enhanced functionality, the HERO10 Black from GoPro adds more speed, performance, touch control responsiveness, and higher frame rates, rounding out this full-featured action camera. This newest model provides high-detail 5.3K60, 4K120, and 2.7K240 video and 23MP photos with updated professional settings and practical functions from its predecessor, the HERO9.

The front display, which in the previous HERO model showed status information, is now larger at 1.4" and offers a live view, allowing you to frame shots for vlogging and similar uses. A new HyperSmooth 4.0 digital image stabilization with in-camera horizon leveling lets you produce even smoother, more stable videos without a gimbal. While still a full-on action camera, the HERO10 Black makes use of its immense feature set to also let you use it as a webcam and for 1080p Full HD live streaming, and it also automatically connect to the cloud, allowing your footage to be uploaded while you shoot when you have a GoPro subscription. It provides a comprehensive solution for all your action cam adventures and it maintains a robust design that's 33' waterproof without an external housing required. An optional dive housing can additionally be used to take the camera into much deeper waters.

While all these features already combine to offer a powerhouse system, the HERO10 Black is further complete with many other features carried over from previous versions of the camera, some of which have also been enhanced. The suite of Power Tools remains consistent, including HindSight, and when turned on, it allows you to record 30 seconds of video prior to your hitting the record button, ensuring you'll never miss that important unexpected moment at a sports game or other event. These include a large 2.3" rear touchscreen with touch zoom, raw photo, and audio capture, looping video, horizon leveling, data overlays, time-lapse and night-lapse, LiveBurst to capture 1.5 seconds before and after your shot, 8x slo-mo, a 100 Mb/s bit rate, three microphones with advanced wind noise reduction, Protune features with professional video and audio settings, 14 voice commands such as, "GoPro, take a photo", and much more.

The HERO10 Black has a built-in, flip-out 2-prong mount on the bottom, letting you easily attach it to a large series of mounting accessories available from GoPro for all your applications, whether extreme sports or live streaming to Facebook. Multiple optional add-on mods are offered, such as the Max Lens Mod, which allows you to add an ultrawide 155° angle of view to assist in HyperSmooth stabilization. With social media in mind, the camera also lets you switch into portrait mode to capture images in the format ideal for platforms such as Instagram. The battery for the HERO10 Black has the same, long-lasting 1720mAh capacity as the HERO9, allowing you to operate the camera for long periods on a single charge.

Revolutionary Processor

The powerful new GP2 engine changes the game-snappy performance, responsive touch controls and doubles the frame rate for amazingly smooth footage. Designed specifically for the demanding nature of the GoPro, the GP2 "system on a chip" is by far the fastest.

New Front Screen + Performance Enhancements

Framing your shots for vlogging and selfies is better than ever with a high-quality front LCD screen with a smoother frame rate and crisp detail. Touch controls are snappy too, so the shutter is more responsive. Live streaming with HERO10 Black looks better than ever, and webcam functions are easy and seamless.

High-Res Photos + Videos, High Frame Rate

Step up to the sharpest-shooting GoPro ever. Upgraded to incredible 23MP photos and 5.3K video resolution at 60fps, HERO10 offers double the frame rate for amazingly smooth motion. Plus, there's 8x slo-mo at 2.7K and you can pause videos and grab 15.8MP still photos from 5.3K video that look amazing.

Sharp Image Quality

Shoot with fine detail, realistic textures, and stunning contrast, even in low light. Images look their best thanks to a new water-shedding hydrophobic lens cover that repels water while helping to eliminate lens flare and other artifacts.

Rugged and Waterproof to 33'

Completely waterproof and tougher than ever, HERO10 Black is versatile enough for any adventure. Its rugged build quality can take a beating and keep going, whether you're ripping through mud, snow, or water (to depths of 33'). The durable and scratch-resistant lens cover adds even more protection and can be easily replaced if needed.

HyperSmooth 4.0

HyperSmooth has never been smoother, and it's easy to dial in the best stabilization at all times. Plus, get even better low-light performance and horizon leveling with a higher tilt limit, so your footage looks perfectly straight when you want it.

Fast, Reliable Connectivity

Super easy, super fast. Transferring photos and videos from your cloud-connected GoPro to your phone is simple and versatile, with your choice of effortless wireless upload via the Quik app or a lightning-fast wired connection via USB 3.1 Gen 1. There's also unlimited cloud storage with hassle-free auto upload. Just plug in your camera when connected to your home Wi-Fi and the camera does the rest.

Long-Lasting Battery

A large-capacity, 1720mAh lithium-ion rechargeable battery provides tons of juice, so you can spend more time shooting and less time swapping batteries.

Webcam + Live Streaming

Use your GoPro as the hottest webcam in the game. This versatile functionality carries over to live streaming, where your shots look incredibly stable as you vlog your next activity with buttery HyperSmooth stabilization and sharp resolution.

Optional Max Lens Mod

Pop on the optional Max Lens Mod for the widest-ever field of view on a HERO camera, an amazing 155°, plus get unbreakable Max HyperSmooth stabilization.

UPC: 818279027211

GoPro Dual-Battery Charger with Two Enduro Batteries for Select HERO Black Cameras

This Dual-Battery Charger with Two Enduro Batteries from GoPro outfits you with two high-powered Enduro batteries and a dual-battery charger to expand your power capabilities for your HERO9, HERO10, HERO11, or HERO12 Black. The Enduro battery has a 1720mAh capacity and increases your recording time. Its built for performing in colder temperatures down to 14°F.

Both batteries charge 13% faster than standard GoPro batteries. The included dual-battery charger can charge both simultaneously and features a USB input port. Using the separately available Supercharger can reduce charging time by 38%. LED indicators display the charging status of both batteries.

Compatibility

GoPro HERO9/10/11/12 Black
GoPro Supercharger

UPC: 818279027976

Ruggard EVA Case for GoPro Cameras (Medium)

The medium EVA Case for GoPro Cameras from Ruggard is designed to conveniently store your GoPro camera and accessories while protecting them from bumps, dust, and moisture while traveling. It unzips on three sides for quick access to your gear and features a rigid, high-density foam interior. The interior has pre-cut slots to securely hold a GoPro camera with housing, battery, memory card, LCD BacPac, Battery BacPac, and more. There is also an accessory slot that can accommodate other accessories or a second GoPro and housing. An interior mesh pocket on the underside of the lid provides space for additional items and accessories.

Key Features

• Rigid EVA shell is weather resistant and protects camera and accessories from bumps, dust, and moisture

• Pre-cut foam interior

• Fits a GoPro camera with housing, battery, memory card, LCD BacPac, Battery BacPac, and more

• Additional slot can fit a second GoPro camera and housing or accessories

• Interior mesh pocket to store additional accessories

• Unzips on three sides for quick access to your camera and gear

UPC: 847628587700

Lexar 64GB Professional 1066x UHS-I microSDXC Memory Card with SD Adapter (SILVER Series)

Designed for action cameras, drones, and Android smartphones, the 64GB Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage capacity of 64GB and supports maximum read speeds of up to 160 MB/s and maximum write speeds of up to 70 MB/s. This card has also been designed with the V30 Video Speed Class rating, which guarantees minimum write speeds of at least 30 MB/s. All of this provides the speed and storage you need to capture more adventures on the go.

Aside from support for UHS-I, V30, and U3, Lexar also built this card with support for the Application Performance Class 2 (A2) spec, which includes optimizations to give Android users an improved mobile experience, delivering faster mobile app performance. The A2 spec allows the card to manage random read input-output access per second (IOPS) operations so it can quickly open apps and process accompanying tasks, such as audio, graphics, saved profiles, and in-app permissions.

To help increase durability, Lexar designed this card to be resistant to water, shock, vibration, x-rays, and temperature extremes. Included is a microSD to SD adapter, allowing this card to be used in SD-compatible devices.

General Features

Quick Transfer Content

This card leverages UHS-I technology to deliver read speeds of up to 160 MB/s, allowing you to transfer high-quality photos and 4K UHD video with ease

Capture the Action

Capture high-quality images and extended lengths of Full HD and 4K UHD video with maximum write speeds of 70. This card is UHS Speed Class 3 (U3), and Video Speed Class 30 (V30), giving you the performance you need to shoot faster and longer.

Load Apps Quicker with A2 Speeds

With the Application Performance Class 2 (A2) rating , this card is also great for use with applications on your Android smartphone. Quickly run and store apps directly on the A2 memory card using an Android Adoptable storage enabled device.

Designed for Durability

Lexar Professional microSD Cards provide the durability you need to capture and store valuable data in a variety of elements. These cards are rigorously tested, and designed to be resistant against water, shock, vibration, and x-Rays.

Rigorously Tested

All Lexar product designs undergo extensive testing in the Lexar Quality Labs, facilities with more than 1100 digital devices, to help ensure performance, quality, compatibility, and reliability.

UPC: 843367122004

GoPro Shorty for GoPro HERO9/HERO10/HERO11 Black (Black)

If you need to quickly set up your HERO on a level surface, or just grab an impromptu handheld shot, the Shorty for GoPro HERO9/HERO10/HERO11 Black in black is a grab-and-go solution. Its pocketable form factor makes it easy to take along wherever you go. For locked-down shots, simply secure your HERO camera's frame or housing using the standard 3-prong accessory interface, position the tripod where you need it, extend the pole for extra height, and start filming. Alternatively, keep it folded up and use it as a handgrip.

UPC: 818279015867

GoPro Head Strap 2.0

Immerse your viewers in a POV video experience with this Head Strap 2.0 from GoPro. This redesigned elastic strap fits all head sizes and features a center strap for added stability. The mounting clip on the front features a standard 3-prong GoPro camera mount and can be removed to clip onto a cap, strap, or belt for additional mounting options.

Key Features

Head Strap 2.0 is fully adjustable to fit all head sizes and mounts any GoPro camera

It can be strapped to a helmet or directly on your head in a headlamp-like position

The removable clip allows you to attach your GoPro to backwards baseball caps, belts, straps, and more

The clip enables ultracompact, low-profile mounting

UPC: 810116380060

GoPro Chesty (Performance Chest Mount)

This GoPro Chesty (Performance Chest Mount) has a padded design that is more stable and comfortable on your chest. It's made with breathable materials that further add to the comfort aspect. The Chesty features a standard 3-prong mount and allows you to capture hands-free POV shots with GoPro cameras in nearly all activities, including high-performance activities such as skiing or motorbiking. You can also mount a GoPro Karma Grip onto the 3-prong mount by using the Mounting Ring that comes with the Karma Grip. The Chesty is adjustable to fit most body types as well as over heavy winter coats. It secures on using a quick release buckle that's easy to handle even with gloves on.

Adding a 23.6MP sensor and new key design and engineering features, GoPro upgrades its flagship action camera with more of everything with the rugged HERO9 Black, providing high-detail 5K30 video and 20MP photo capture alongside new collections of professional settings and practical functions.

The front display, which in the previous HERO model showed status information, is now larger at 1.4" and offers a live view, allowing you to frame shots for vlogging and similar uses. A new HyperSmooth 3.0 digital image stabilization with in-camera horizon leveling lets you produce even smoother, more stable videos without a gimbal. While a full-on action camera, the HERO9 Black makes use of its immense feature set to also let you use it as a webcam and for 1080p Full HD live streaming, providing a comprehensive solution for all your action cam adventures and more in a robust design that's 33' waterproof without an external housing required. An optional dive housing can additionally be used to take the camera into much deeper waters.

Another new addition is a suite of Power Tools features, including a feature called HindSight that, when turned on, allows you to record 30 seconds of video prior to your hitting the record button, ensuring you'll never miss that important unexpected moment at a ball game or other event.

While all these features already combine to offer a powerhouse system, the HERO9 Black is further complete with many other features carried over from previous versions of the camera, some of which have also been enhanced. These include a large 2.3" rear touchscreen with touch zoom, raw photo and audio capture, time-lapse and night-lapse, 8x slo-mo, an advanced 100 Mb/s bit rate, three microphones with advanced wind noise reduction, Protune features with professional video and audio settings, 14 voice commands such as, "GoPro, take a photo", and much more.

The HERO9 Black has a built-in, flip-out 2-prong mount on the bottom, letting you easily attach it to over 45 mounting accessories available from GoPro for all your applications, whether extreme sports or live streaming to Facebook. Moreover, to further expand the functions of the camera, multiple optional add-on mods are offered, such as the Media Mod, which adds an external mic and additional mounting and signal output options for more of a multimedia workflow. With social media in mind, the camera also lets you switch into portrait mode to capture images in the format ideal for platforms such as Instagram. The battery for the HERO9 Black has a 30% longer, 1720mAh capacity in comparison to the previous model's battery, allowing you to operate the camera for longer periods on a single charge.

5K Video

Capture up to 5K30 resolution video and maintain high detail even when zooming in. Packing a new 23.6MP sensor, the HERO9 Black brings lifelike image sharpness, fluid motion, and in-camera horizon leveling for optimal image quality.

20MP Photo with SuperPhoto

Shoot crisp, pro-quality photos with 20MP clarity. Apply SuperPhoto to automatically pick all the best image processing to easily get the right shot.

Expandable Mods System

The HERO9 Black is compatible with multiple add-on mods that expand the camera for a more comprehensive workflow. The optional mods include the Max Lens Mod, Light Mod, and Media Mod. Between these mods, you can achieve horizon locked footage, LED illumination, external mic recording, and more.

Built-In Mounting

No more carrying a separate frame. Just flip out the folding fingers and attach your camera to virtually any mounting accessory.

Front Display + Rear Touchscreen

The rear touchscreen of the HERO9 Black is larger than in the previous model of the camera but offers the same familiar features, including touch zoom. The front display has also been upgraded and now shows a live preview in addition to status indicators. You can now frame your shot right from the front display.

Powerful Battery

The HERO9 Black's 1720mAh battery has a 30% longer battery life than the battery of the HERO8 Black.

HyperSmooth 3.0

The GoPro HERO9 Black features a more advanced video stabilization with HyperSmooth 3.0, which enables in-camera horizon leveling and boost in all settings.

Horizon Leveling

In-camera horizon leveling (up to 45% tilt) is now possible with the new Linear + Horizon Leveling digital lens, helping your footage stay stable and straight.

TimeWarp 3.0

Record time-lapse scenes as you move on the road, on foot, or anywhere else. TimeWarp 3.0 condenses time, capturing moments with features like Speed Ramp, which lets you select Real Speed (now with audio) or Half Speed while recording.

Intuitive Touchscreen

The rear touchscreen makes it easier to control your camera, frame up your shot, play back footage, snap a selfie, and more.

Live Streaming in 1080p

Live stream in 1080p HD to social media via the GoPro app with HyperSmooth stabilization applied, and feel free to save your streamed footage to a microSD card to check out later. (The GoPro app is compatible with iOS and Android; microSD cards are sold separately.)

Webcam Mode

Connect the HERO9 Black to your computer to broadcast in 1080p HD. Use optional GoPro mounts to create your ideal webcam setup.

Rugged + Waterproof

The HERO9 Black is designed rugged for virtually all weather conditions and is waterproof down to 33' right out of the box, without any waterproof housing required.

Power Tools

The HERO9 Black features the Power Tools suite of smart capture settings that extend capture options with tools like HindSight, LiveBurst, Scheduled Capture, and Duration Capture.

Power Tools HindSight

HindSight captures video from 30 seconds before you press record, so you'll never miss a moment again, like that unexpected first base hit. With HindSight turned on, the camera will capture 30 seconds of video before you hit the shutter button, and everything after, until you stop recording.

Power Tools LiveBurst

Record what happens 1.5 seconds before and after your shot, then pick your favorite single frame for the best pic or a shareable video.

Power Tools Scheduled Capture

This feature lets you schedule the start time for your shot in advance.

Power Tools Duration Capture

Choose how long the HERO9 Black records before automatically stopping.

Night-Lapse Video

Shoot time-lapse videos at night in 4K, 2.7K 4:3, 1440p, or 1080p, all processed in-camera.

Presets + Custom Presets

The HERO9 Black comes preloaded with recommended video presets for Standard, Activity, Cinematic, and Slo-Mo shots. You can even create custom presets for quick access to your favorite settings.

Digital Lenses

Epic shots are as easy as tapping a digital lens. Now you can switch between Narrow, Linear, Wide, SuperView, and Linear + Horizon Leveling.

Voice Control

Go hands-free with 14 voice commands like "GoPro, take a photo." Even if the camera is off, you can say, "GoPro, turn on." The HERO9 Black understands English (US, UK, AU, and India), Chinese (Mandarin), French, German, Italian, Japanese, Korean, Portuguese (BR), Russian, Spanish (EU and NA), and Swedish.

Portrait Orientation

Capture photos and videos in portrait orientation for your Snapchat and Instagram.

Timer

Get yourself in the group shot or group video. Timer makes it easy to grab a GoPro selfie or get your whole gang in the frame.

Raw Photo

Raw mode provides the most flexibility in editing and is available for single- and multi-shot sequences as well as time-lapse and burst photos.

8x Slo-Mo

Ultra high frame rate 1080p240 video with HyperSmooth 3.0 stabilization allows up to 8x slow motion for this ever-popular effect.

USB Type-C Offload to Android Devices

Transfer pics and videos fast via an included USB Type-C cable, compatible with Android devices.

100 Mb/s Bit Rate

Create studio-quality footage with bit rate options of up to 100 Mb/s.

HEVC Video Format

Use High-Efficiency Video Coding (HEVC) to shrink file sizes without losing picture quality.

Data Overlays + GPS

Showcase your location, altitude, and speed on your final image by adding Data Overlays to your videos in the GoPro app. Options include Speedometer, GoPro logo, GPS Path, Altitude, Map, Speed chart, and G-Force. (Note: You must enable GPS on your camera to add GPS Data Overlays to videos in the GoPro app.)

Face, Smile, Blink + Scene Detection

The HERO9 Black recognizes smiles, blinks, and more. The GoPro app uses those details to intelligently pick your best photos and videos to create impressive video stories.

GoPro App

The app lets you control your camera remotely, start and stop recording, and offload media. Plus, you can make single- and multi-clip edits and share them, all from your phone.

Subscribe to GoPro

Back up everything you shoot to the cloud automatically with an optional GoPro subscription, which also includes options for damaged camera replacement. (The subscription service is available in select countries.)

Fast Charging Ready

Get back out there faster. The GoPro Supercharger power adapter, sold separately, charges your battery up to 35% quicker compared to a conventional 5V, 1A USB charger.

GoPro Mounts + Accessories

The HERO9 Black is compatible with 45+ GoPro mounts and accessories, including mods that add multi-production tools.

This bundle of the EyeDirect Mark II with Foam Fitted Rolling Case provides a flexible kit ready for travel. The Mark II offers a flexible way of maintaining the eye contact with on-camera talent/interview subjects with your camera, and it can be used as a teleprompter that feeds your on-camera subject lines to read. Suitable for use with cameras from DSLR or mirrorless up to full-size camcorders or digital cinema cameras with large lenses.

As a prompter, the Mark II supports iPads/tablets up to 7 x 10" and 3/8" thick (neither tablet nor prompting software is included). It features a 50/50 beamsplitter that allows the talent to see the text without it showing up on your image. Removing the iPad/tablet is where the design of the Mark II shines, as it allows your on-camera talent to look directly at the camera, yet see the face the interviewer behind the camera. You can also insert a picture or headline into your subject's eyeline without having them look off camera to see it. The included rolling case features custom cut foam that protects your EyeDirect Mark II during transport or storage.

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

an industry-leading wireless and compact system that offers advanced camera and lens control, with ARRI's new ERM-2400. The WCU-4 is a lightweight and ergonomic hand unit offering up to 3-axis lens control functions known as Focus, Iris, and Zoom. Rugged and splashproof, it features an easy-to-read lens data display, lens mapping to pre-marked focus rings, and focus tracking. When paired with the ERM, as in this exclusive B&H bundle, you'll experience significantly increased flexibility of wireless camera and lens control, including an exceptionally good wireless range of around 3280 feet and a reliable point-to-point radio solution for the most demanding radio frequency (RF) environments.

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

The EcoFlow DELTA Pro Ultra 6000Wh Portable Power Station provides energy security and independence, delivering 7200 watts of AC power for appliances, tools, devices, and even systems like air conditioners during power outages. Its battery can be recharged from an AC source, solar panels, a gas-powered generator, or an EV charging station. The DELTA Pro Ultra comes fitted with AC outlets, USB ports, a 30A RV-style socket and a 240V large appliance outlet. It is controlled from a mobile device running the EcoFlow app, and even has its own 4G dongle for connectivity when Wi-Fi is down. Paired with the optional EcoFlow Smart Home Panel 2, the DELTA Pro Ultra can serve as a partial or whole house backup system with a separately available professional installation.

6- Pack Padded Folding Chair with Steel Frame for Home and Office, Indoor and Outdoor Events, 330 Pound Capacity (Black, Set of 6)

• COMFORTABLE AND STYLISH: Elevate your seating experience with our premium padded folding chairs. Crafted with high-quality PU leather and thick foam padding, these chairs provide superior comfort for work, study, or any event. The sleek metal frame adds a touch of elegance to any setting, making them perfect for various occasions.

• STURDY AND DURABLE: Our folding chairs are built to last. The robust triangle structure and non-slip foot pads ensure stability and durability, whether used indoors or outdoors, without leaving unsightly floor scratches. With an all-steel construction, double hinges, and welded cross braces, these chairs can support up to 330 lbs with ease.

• EASY TO STORE AND TRANSPORT: Our folding chairs with padded seats come in a package that includes pre-assembled chairs, ready for immediate use. When not in use, they fold up easily for space-saving storage. These chairs are designed for hassle-free transport, making them an ideal choice for various settings and events.

• VERSATILE AND RELIABLE SEATING: These folding chairs are perfect for a wide range of settings, including bedrooms, dorm rooms, apartments, lounging areas, and gardens. Their classic "Y-frame" design, double-riveted leg cross braces, and double hinges provide added stability and reliability, ensuring a comfortable and secure seating experience.

• CUSTOMER SATISFACTION GUARANTEED: We stand behind the quality of our metal folding chairs. If you have any questions or concerns, please don't hesitate to contact us. We are dedicated to providing high-quality products and excellent customer service, ensuring your complete satisfaction with your purchase.

Secure Lock: keeps table closed when transporting.No assembly required

• Comfort handle: comfortable to carry when folded and locked

• All season table Top: indoor and outdoor use

• Lightweight: 37.258 pounds makes this table easy to carry

• Folded Dimensions of 96"(L) x 30"(D) x 29.25"(H): Makes for easy transportation and storage when not in use

Leak-Proof Outdoor Hard Cooler Keeps Ice for up to 5 Days, Great for Beach, Camping, Tailgating, Sports, & More

• FULLY INSULATED: Lid and body Keeps the Ice up to 5 days in temperatures as high as 90°F

• SWING-UP HANDLES: For easy carrying and lifting

• HIGH CAPACITY: Holds up to 100 cans

• HAVE-A-SEAT LID: Closed lid supports up to 250 lb.

• CUP HOLDERS: Molded into the lid to keep drinks close and prevent spilling; fit up to 30 oz. tumbler

• STAIN-RESISTANT LINER: For easy cleanup

• EASY TO OPEN: Recessed lip for easier access to contents

Also known as "Rags" these are the materials that are tied to the Butterfly/Overhead frame.

For many years, only the basic materials were used such as scrims to reduce light, silk to diffuse light and solid to eliminate light.

More recently many new materials have been added to allow many degrees of diffusion (Grid Cloths, Black Silks, etc.) plus many new reflective materials are now available to make large reflectors for both sunlight and artificial light such as Matthflectors, Grifflectors and Lames.

Elevate Your Studio Sessions: The Ultimate Light Controller!

Essence of the Butterfly Textile
Matthews presents the 12x12' Solid Black Overhead/Butterfly Textile, a paramount tool in a photographer or filmmaker's toolkit. Often referred to as "Rags," these textiles get seamlessly tied to your Butterfly/Overhead frame, empowering you to master the play of light.

Historic Significance
For decades, photographers relied on basic materials. They utilized scrims to tame intense beams, silks for that dreamy diffusion, and solids when the need was to fully block out the light. The Matthews textile offers a nod to this traditional practice, holding true to the core principles of lighting.

Modern Innovations
The world of studio lighting is continuously evolving, and so is Matthews. With the introduction of innovative materials, this textile allows for varying degrees of diffusion, from subtle to pronounced. Think Grid Cloths or Black Silks that provide that nuanced touch. But that's not all. Reflective materials have been ushered into the scene. Whether you're capturing the golden hour or simulating it, Matthews has got you covered with its game-changing Matthflectors, Grifflectors, and Lames.

Why Opt for Matthews 12x12'?
Every detail, every strand speaks of precision and dedication to craft. When you employ this textile, you're not just manipulating light; you're orchestrating emotions. Feel the difference as the subject basks under the controlled lighting, see the enhanced mood in your captures, and observe the elevated quality of your productions.

Choosing the Matthews 12x12' Solid Black Overhead/Butterfly Textile is choosing expertise, tradition, and innovation. It's an investment that speaks directly to those who are serious about their craft and are keen to bridge the gap between good and impeccable.

The Chimera 1624 POP Bank Universal Small 1x1 features an adjustable design to accommodate a wide range of square 1x1 LED Panel fixtures. With a frameless design, the Universal 1x1 fits fixtures from 11.75 x 11.75" to 14.75 x 14.75" in outside dimension. With four elastic corner loops and two center to attach to the yoke knobs, this Lightbank offers you the ability to shape and diffuse the light output. Can be mounted horizontally and vertically. Included standard is a Full Chimera Cloth Front Screen and a Half Gridless Front screen. Optional screens and fabric grids are available for increased control. It also comes with a messenger style bag.

Aputure F10 Fresnel Features

• Up to 200,000+ lux @ 1m with 600d

• 15 Degree -45 Degree Variable Beam Angle

• 10" Glass Fresnel Lens

• Dual Lens Optical Design

• Compatible with F10 Barndoors

• Seamless Focus Adjustment

• Minimizes Light Leaks

The Vario 5 Strong is a versatile, all-round solution no matter what setup you have. One adjustable Easyrig to fit your needs.

Adjustable weight range
By adjusting the tension with the provided allen key, the Vario 5 Strong can be tuned to match your exact camera setup ranging from 10-25 kg (22-55 lbs).

Fits all cameras
The Vario 5 Strong can be attached to any camera as long as it has a camera handle due to our easy-to-use camera hook.

Handmade in Sweden
The Vario 5 Strong is designed, built and assembled in Sweden. We utilize local suppliers, delivering high-quality components.

Used by the best
Ever since the release the Vario 5 Strong is undoubtedly the most popular Easyrig. It has been used in countless movies, TV-series and documentaries.

Gimbal Rig Vest
The Gimbalrig vest provides extra support around the waist.

Quick Release Camera Hook
The Quick Release Camera Hook can securely hold your camera with little to no setup time. It's easy to use, after installation just press it onto a ball stud which is mounted on your camera or camera handle.

Tested up to 115 kilo/255 pounds. The Quick Release comes with four ball studs (3/8" and 1/4") to fit your camera.

Please note that you need to purchase EA033-WB if you are planning to work with Gimbals.

STABIL G2 Stabilization Arm
Easyrig STABIL G2 together with EasyTilt makes it possible to tilt the gimbal back and forth. The new upgraded STABIL G2 is foldable for easier travel and can be locked in 90 degrees without jittering.

The Easyrig STABIL G2 is the newest upgrade to the Easyrig system that allows smooth, stabilized camera operation while being a comfortable, ergonomic filmmaking experience. It can stabilize camera setups between 5-25 kg (11-55 lbs).

The line-exit is adjustable, meaning you can shoot with a gimbal or from your shoulder.

The Easyrig STABIL G2 can be mounted onto the Cinema 3 and Vario 5

For years Easyrig users have been wanting us to build something that smoothen out shots when walking. The Easyrig STABIL G2 is incorporated into the Easyrig system to make the weight distribution as even and ergonomic as possible. Stabil is the Swedish word for "Stable".

In April of 2020 we upgraded the STABIL so it's foldable, making it a lot easier to travel with. We also upgraded the locking pin so it doesn't jitter when locked in 90 degrees. It now comes with a hanger, meaning that you can now hang the rig on a filmcart (or any other surface with an edge).

Unlock Unlimited Power: The Ultimate Helix V-Mount Hot Swap Solution!

Revolutionize Your Power Game
Battery limitations can disrupt optimal camera use. The Helix V-Mount Hot Swap/Shark Fin Battery Mount Plate by Core SWX provides a solution, enhancing the power management for V-Mount cameras.

Tailored for V-Mount Aficionados
Designed impeccably for V-Mount cameras, this mount plate ensures that your camera enjoys seamless power. The compatibility with 14V battery packs makes it a versatile addition to your shooting gear, allowing you to leverage the prowess of V-Mounts to the fullest.

Power Spectrum - Versatility at its Best
The plate offers a voltage range of 11 to 34 VDC for both input and output, ensuring consistent camera operation. Additionally, when used with the Helix battery packs, the output can be increased to 33.6 VDC.

Why Choose the Helix V-Mount Hot Swap?
When undertaking filming projects, consistent power is essential. The Helix V-Mount Hot Swap ensures cameras remain operational, allowing users to focus on capturing important moments. Beyond merely an accessory, the Battery Mount Plate is a durable and reliable product, reflecting Core SWX's dedication to quality and innovative design. This device guarantees efficient power management for every shot.

In a world where every second count, trust the Helix V-Mount Hot Swap/Shark Fin Battery Mount Plate to keep you and your camera ahead of the curve.

This Steadicam kit includes a padded and fully-adjustable Zephyr vest plus the Aero A-30 arm unit and a 7" HD monitor. The rigid, lightweight carbon-fiber stabilizer arm is adjustable without extra tools, and has a detachable base for easy storage and transport. It's built to handle loads from 12 to 20 pounds, and the sled itself weighs just under 10 pounds with the V-lock battery mount and monitor included.

• Rigid, lightweight sled
• 3G HD compatible
• Available with 7 inch 1000 nit monitor
• Tool-free adjustments
• Detachable sled base for easy storage and transport
• Multiple battery mount options
• Two-section carbon fiber post extendable from 22.5 - 35.5in / 57.2 - 90.2 cm

The 4 x 4' 3Pod Portable Medium Duty Shooting Riser allows event photographers and videographers to rise above crowds or barriers and get an unobstructed view of all the action Carry it with you to any location in the included carry cases, set it up in about a minute without any tools, and climb right on top along with your tripod and camera.

Measuring 4 x 4', the Shooting Riser is large enough to provide the needed support, but has a relatively small footprint for when space is at a premium. Also, multiple units can seamlessly be placed together to offer an expanded areaThe riser provides 39" of height elevation and supports up to 450 lb, and the overall aluminum construction provides sturdy support. There is also a leveling foot on the bottom of one of the legs that is twist-adjustable to compensate for uneven surfaces.

When you're done, simply pack it away piece by piece. It features only a few components: folding legs, two support rails that secure on the edges of the legs, and four platforms that sit on the rails. The legs pack away into a slim bag, and the other components into a separate, larger case. Both cases have padded carrying straps.

Set of 5, 4 x 5.65" Diopter Brilliant2 Tray Mount Close-Up Lenses

The set includes values of +1/4, +1/2, +1, +2 and +3 Diopter.

The +1/4, +1/2 and +1 fit in one slot. The +2 uses 2 slots and the +3 uses 3 slots in the matte box.

The unique tray mount design allows quick and easy insertion into both clip-on and rod mount 4x5.65 matte boxes.

To create the Brilliant2 Tray Mount Close-Up Lens series we've mounted our 138mm Close-Up Lenses (Diopters) in a 4x5.65" matte box tray. These large 138mm round lenses provide a 5.1" diameter clear aperture in the tray, allowing use with large lenses and wide angle lenses. All of our lenses have a broadband multi-layer anti-reflection coating (MC Coating).

The Brilliant2 diopters fit in Arri, Bright Tangerine, Chrosziel and Vocas matte boxes. They do not work with RedRock Micro matte boxes.

The KNOWLED LiteFlow Cine Lighting Reflector System is a new and innovative cinematic light control system, that introduces a fresh perspective on illumination. With outstanding reflectivity, and coming in a Multitude of Sizes and Various Degrees of Diffusion, the LiteFlow50 50x50cm Cine Light Reflector Panels are highly versatile. The LiteFlow system offers remarkable light quality, convenience, and control designed to streamline your workflow on set. The lighting solution that Cinematographers, directors of Photography, and gaffers have been waiting for.

Natural Cinematic Lighting

Sometimes, illuminating your subject or scene directly can result in lighting that looks "very artificial". The Godox KNOWLED LiteFlow Cine Light reflector panels utilise the power of the inverse square law, to extend the transmission distance of light, enabling you to bounce the light around your set for a more natural look. Simply point your main light at one of the reflector panels, which will then bounce the light to illuminate your subject, resulting in a more natural look. you can also place smaller LiteFlow panels around the set, enabling you to more to highlight other points of interest in your scene. This gives you the flexibility to create complex lighting scenarios, without necessarily needing a multitude of lights on-set.

Building and improving, on their line of rig enhancement parts, Tilta presents the new UH-T04 Quick-Release Hand Grips. The UH-T04 quickly and securely, attaches to your choice of either 15mm or 19mm rods using a rock-steady quick-release mechanism. Building on the design of their legacy UH-T03 model, the UH-T04 features larger, more comfortable hand grips, extended arm reach and more adjustability than it's predecessor. When these unique hand grips are incorporated into your rig the UH-T04's improvements lead to more a more comfortable and less fatiguing, experience.

More power. Same legendary quality.
The Honda EU2200i delivers 10% more power than the previous EU2000i, enabling you to power more of what you need, in the same lightweight, compact package. Whether it's an extra refrigerator or a larger TV at your tailgate party, the EU2200i gives you the power to get more done. The EU2200i can operate a wide variety of appliances, making it perfect for portable use at home, camping, on the jobsite, or much more.

Honda My Generator App + Bluetooth capability
Honda's exclusive My Generator smartphone app offers remote generator operation and monitoring with impressive performance and unmatched convenience. On Honda pull-start models such as the EU2200i, the app allows for remote stopping and operation monitoring, utilizing Bluetooth connectivity.

CO-MINDER Advanced Carbon Monoxide Detection System
CO-MINDER continuously monitors carbon monoxide levels. It automatically shuts down the generator before detected CO levels near the generator become dangerously high.

Honda GXR120 Engine with commercial-grade reliability
The EU2200i is powered by the Honda GXR120 Commercial Series engine. The GXR120 delivers exceptionally quiet, smooth, fuel-efficient performance in a small, lightweight package. At 121cc, the GXR120 is at the top of its class, ensuring the EU2200 always produces the power you need to get the job done.

Super quiet – less noise than normal conversation
So quiet your neighbors will thank you. The EU2200i operates at 48 to 57 dBA, which is less noise than a normal conversation. This makes it ideal for camping, supplemental RV power, and any other activity that requires quiet operation.

Easy starting, every time
The EU2200i is designed for quick and easy starting. Honda's automatic mechanical decompressor system significantly reduces the amount of force needed to start the engine. Operational contact points are color-coded in gray to quickly guide the user through the starting operation.

Lightweight and compact
Weighing just over 47 pounds, the EU2200i is incredibly lightweight and portable. Thanks to Honda's inverter technology, it's easy to transport and store.

Fuel efficient – runs up to 8.1 hrs. on less than a gallon of fuel
The exclusive Eco Throttle System offers great fuel efficiency. Runs 3.2 to 8.1 hours on a single tank, depending on the load. This makes it great for overnight power.

Advanced inverter technology – reliable power for computers and other sensitive equipment
Honda's inverter technology means stable, clean power in a smaller, lighter package. The precision of Honda's inverter technology ensures the inverter generator produces power that is as reliable as the power you get from your outlets at home.

More Features
• Bigger oil filter opening for easier oil changes
• Fuel Off position helps prevent stale fuel in the carburetor
• 12V 8.3A unregulated DC output
• Protected by Oil Alert
• USDA-qualified spark arrestor/muffler
• Electronic circuit breaker protects from overload
• 3-year warranty

Specifications
Model: EU2200iTAG
Displacement: 121cc
AC Output: 120V 2200W max (18.3A), 1800W rated (15A)
Receptacles: 20A 125V Duplex
Starting System: Recoil
Fuel Tank Capacity: 0.95 gallons
Run Time per Tank: 3.2 hrs. at rated load / 8.1 hrs. at 1/4 load
Dimensions: 20.0"L x 11.4"W x 16.7"H
Noise Level: 57 dB at rated load / 48 dB at 1/4 load
Weight: 47.4 lbs.

The Tentacle Sync E mkII Timecode Generator single set pairs the lightweight, super-compact Sync E mk2 timecode generator with a downloadable Tentacle Sync Studio software license (macOS). This update to the Tentacle Sync E features Bluetooth 5.0 setup and battery management improvements. Designed for vlogging, events, multicamera setups, and post syncing, the Sync E mkII can generate any SMPTE timecode or jam-sync to an external timecode source.

Bluetooth 5.0

Uses low-energy Bluetooth 5.0 for setup and monitoring

INCLUDES THE FOLLOWING:

• .3 Formatt Hitech 4x5.65 ND Filter

• .6 Formatt Hitech 4x5.65 ND Filter

• .9 Formatt Hitech 4x5.65 ND Filter

• 1.2 Formatt Hitech 4x5.65 ND Filter

• 1.6 Formatt Hitech 4x5.65 ND Filter

• 1.8 Formatt Hitech 4x5.65 ND Filter

This kit of Schneider filters contains 5 items listed below:

• Schneider Hollywood Black Magic 1/8 Filter

• Schneider Hollywood Black Magic 1/4 Filter

• Schneider Hollywood Black Magic 1/2Filter

• Schneider Hollywood Black Magic 1 Filter

• Schneider Hollywood Black Magic 2 Filter

Hurricane Haze 2D is a water-based haze machine with continuous output and a digital display to set DMX and stand alone functions with ease. It features adjustable blower output speeds and nozzle to get the haze where you need it. The low fluid indicator gives a warning before running out of fluid. An included wired, timer remote stores conveniently in the fixture.

The Spectrum ST4 + Fz Pro Bundle with Gold mount battery plate from eMotimo adds FIZ control to the ST4 Motion Control Pan & Tilt Head. This robust aluminum head supports a maximum equipment load of 15 lb and includes a 3.9" forward/back adjustment plate for proper camera balance. Head features include smooth ramping, the ability to set up to seven keyframes, and 11 preset moves ranging from a quiet interview to turbo mode. This motion control head features accurate move repetition, even at high speeds.

This four-axis head has built-in pan and tilt control, plus one motor for focus, iris, or zoom control plus a second port for connecting an additional FIZ motor or slider control. Use the included wireless Bluetooth remote for controlling the head or set up a slow, continuous move for robotic B-camera coverage of an interview or other event. The Spectrum ST4 head can also be programmed for time-lapse moves when used with a separately available shutter cable.

The Spectrum ST4 + Fz Pro Bundle also includes a 24V high-capacity AC adapter, three DSLR shutter cables, and a hard SKB carrying case.

4-Axis Motion Control Head

Built-in pan and tilt control

FIZ Motor

One FIZ motor plus a second motor port for an additional FIZ (focus/iris/zoom) motor and/or slider control

Versatile Control

11 preset moves and a wireless Bluetooth remote provide automated or precision control

Precise Moves

120°/s pan and 60°/s tilt maximum; repeats moves accurately, even at high speeds

Precision Balancing

Includes a 3.9" forward/back adjustment plate for optimal camera balance

Power Options

Use the included 24 VAC power supply or a Gold mount battery to power the head

eMotimo Dana Dolly Integration Kit

The Dana Dolly Integration Kit from eMotimo enables you to add the separately available Spectrum ST4 Motion Control Pan & Tilt Head to your existing Dana Dolly system. This kit includes a Motor Pod, a 21" Spectrum cable, an 11.5' slider belt, and two belt clamps/tensioners.

Features

Connects the separately available Spectrum ST4 pan and tilt head to your existing Dana Dolly system

Includes a slider motor pod with Spectrum cable, a slider belt, and two belt clamps/tensioners

This 32-sided Light Dome 150 Softbox from Aputure measures 5' and is a great choice for portraits, head shots, interviews, fashion, and more. This is a really big light source with true wraparound quality that becomes more pronounced as you bring it closer to your subject. The softbox ships with 1.5- and 2.5-stop diffusers as well as a removable inner diffuser to thwart the hot spot.

There are numerous ways to personalize your light's output. For the softest light use the two front diffusers and the internal one. Want a little more snap? Take one of the front diffusers off. Still not crisp enough? Take both diffusers off. Use any combination of the diffusers until the light is right for you. The Light Dome's 31.5" depth allows for a sharp falloff that will give you the directional control necessary for selective lighting when used with the included fabric grid. Natural-looking catchlights will be reflected in your subject's eyes and the Bowens-type speed ring included will also fit lights from the many other manufacturers who use this popular mount.

Benefits

• Bowens mount 5' circular softbox

• Depth: 31.5"

• Extremely soft light quality

• Design has 32 sides for circular reflections

• Quick setup for building for efficient workflows

• Front diffusion has 2 options: 1.5 stop and 2.5 stops

• Fabric light control grid

• Carrying bag

• Weighs 7.32 lb

The DJI RS 2 Pro Combo packs several additional accessories with the RS 2 gimbal to provide a more comprehensive workflow. A key addition is the DJI Ronin RavenEye Image Transmission System, which allows for 330' 1080p video transmission from the gimbal with a latency of only 50ms for on-set collaboration. The other extra accessories are a focus motor, phone holder, two focus gears, and three HDMI cables.

The RS 2 gimbal is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It's about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF.

The RS 2 also has a 1.4" full-color LCD touchscreen that allows you to access gimbal settings as well as features such as time-lapse and hyperlapse, which were previously accessible only via the companion mobile app.

The RS 2 uses the DJI Titan stabilization algorithm to provide improved stabilization with increased smoothness. In applications with up to 100mm zoom lenses, a built-in feature called SuperSmooth complements the algorithm by compensating for micromovements and increasing torque to achieve fluid motion (an optional lens support is required).

There are also two RSA ports with electrical contacts for dedicated accessories, and each port has a NATO mount for quick release attachment of these optional accessories. One RSA port is provided on the left and one on the right side of the gimbal. Supported accessories include a focus wheel, a twist-grip dual handle, and a universal mount for efficiently attaching the gimbal to a car, jib, or slider.

The companion iOS/Android Ronin app offers many creative features in addition to standard time-lapse and panorama functions. Time Tunnel combines roll motion with hyperlapse to "twist" space and time. Track allows you to create a repeatable camera movement path for a tightly choreographed shot. Force Mobile makes the gimbal follow your smartphone's movements. Force Mobile can also be achieved with enhanced responsiveness when you use the included RavenEye transmission system. When you use the RavenEye, you can also display a live view of your subjects on the touchscreen when using the RavenEye's ActiveTrack feature.

The RS 2 uses a dual-layer Manfrotto plus Arca-Swiss camera mounting system with two removable quick release plates. For social media content, the gimbal can be adjusted at the tap of a button to position your camera into portrait mode. To let you efficiently balance your camera, the RS 2 has an axis lock on each axis, so you can unlock and balance one axis at a time. Additionally, a fine-tune balancing knob allows you to further dial in the optimal balance for your camera.

The gimbal runs for up to 12 hours on a battery cartridge that secures to the included grip handle. The cartridge can easily be swapped out for another one, sold separately. The cartridge is rechargeable via a USB Type-C port on the grip, and the grip can be completely removed from the gimbal when you need to recharge the battery. The BG30 grip is compatible with the PD and QC 2.0 charging protocols. DJI highly recommends using a 24W charger, not included. The battery supports 24W fast charging and can be fully recharged in about 1.5 hours.

The RS 2 comes with a splash-proof carry case designed with dedicated compartments for the different parts of the gimbal and key accessories. A mini tripod is also included and attaches to a 1/4"-20 thread on the bottom of the grip handle to function as a stand or an extension handle for two-handed maneuvering of the gimbal in certain scenarios.

Key Features

• RS 2 gimbal with the RavenEye 1080p transmitter, a focus motor, phone holder, two focus gears, and three HDMI cables

• 10 lb payload

• Supports larger cameras such as the Blackmagic Pocket 6K and ALEXA Mini LF

• 1.4" full-color LCD touchscreen (with access to features such as time-lapse and hyperlapse)

• DJI Titan stabilization algorithm

• SuperSmooth stabilization feature for long zoom lenses

• Two RSA ports with electrical contacts and a NATO mount for quick release attachment of dedicated accessories such as a focus wheel

• Monocoque carbon fiber axis arms

• Short grip handle with a compact 12-hour battery cartridge

• iOS 11+ / Android 7.0+ companion app

• Creative functions such as Time Tunnel and Force Mobile

• Dual-layer Manfrotto plus Arca-Swiss camera mounting system

• Single-tap switching to portrait mode

• Axis locks and fine-tune knob for efficient and precision camera balancing

• Splash-proof carry case included

Designed for recording high-speed 8K and 6K X-OCN video with the VENICE 2 camera, the 1TB AXS S66 Memory Card from Sony features a storage capacity of 1TB and a guaranteed write speed of 6.6 Gb/s. It can record up to 8.6K using the 16-bit X-OCN format, supports a wide range of frame rates at lower resolutions, and can handle 4K raw, 4K ProRes, and High Frame Rate (HFR) 4K recording up to 120 fps. Aside from the VENICE 2, this card is backward compatible with camera systems that use AXS-R7 memory, such as the VENICE 1, FS5, and F5. Once you're done shooting, download your captured footage to your computer using a separately-sold AXS-AR3 memory card reader.

General Features

Record 8K X-OCN and 6K X-OCN with VENICE 2

Users of the VENICE 2 with an 8K sensor will be able to record up to 8.6K 3:2 X-OCN XT video at 30p and 8.2K 17:9 X-OCN ST video at 60p. The VENICE 2 with a 6K sensor will be capable of recording up to 6K 3:2 X-OCN XT video at 60p and 4K recordings at up to 120 fps.

High Capacity, Fast Transfer Speed Recording

The AXS-A1TS66 has a capacity of 1TB and guaranteed write speed of 6.6 Gb/s, or 825 MB/s.

4K HFR Recordings

The AXS Memory A Series records High Frame Rate (HFR) recordings, with capacity for up to 34 minutes of 4K 16-bit X-OCN XT recording at 90 fps.

Works with the AXS-R7, AXS-R5, AXS-AR3, AXS-CR1, and AXS-AR1

The AXS-A1TS66 works with the AXS-R7 Portable Memory Recorder and AXS-R5 2K / 4K Raw Recorder. The AXS-AR3 Thunderbolt Memory Card Reader is its ideal companion, but the card is also compatible with the AXS-CR1 USB 3.0 AXS Memory Card Reader, the AXS Memory Card Adapter, and the AXS-AR1.

Slim and Small Card Design

With dimensions of 1.4 x 3.0 x 0.3" / 35.0 x 75.0 x 8.0mm, the AXS-A1TS66 has the same height and width dimensions as SxS Memory cards.

The Kupo Master Combo HD Stand is designed to hold loads up to 88.20 lb at a maximum working height of 133.90" using a 2 riser, 3 section design. The stand features all-steel construction, a triple function universal head and a leveling leg for rough terrain.

Made of thick, weather- and water-resistant Cordura nylon, the 25 lb Impact Filled Black Saddle Sandbag is a staple in studios or on location for stabilizing light stands, booms, tripods, and backgrounds. The bag features rugged and durable assembly throughout. A double-zipper design is employed for safe containment and removal of the sand, as well as a webbed handle for hanging or moving.

The 4' Lowboy Steel Stand with Wheels and Combo Head from Impact is a heavy-duty, chrome-plated steel support that can handle gear weighing up to 55 lb. The stand rises to a maximum height of 48.5", has a minimum working height of 31.5", and folds down to 28". It features a low base and 30" footprint for extra stability, braking wheels, and two risers. With the legs folded up against the column for storage and transport, it measures 28" in length. The Impact Lowboy has a 1-1/8" Junior receiver and a retractable 5/8" pin that can be swung 90°, allowing gear to be mounted on it vertically or horizontally.

E-Z Travel Frame
E-Z Travel Frames are made from 3/8" Stainless Steel Tubing and connector pins. An elastic cord keeps all the pieces together. On the 48"x48" frames, any of our 4x4 SLIPPERS may be used.

E-Z Travel Bag
The E-Z Travel Bag is 1000 denier Textured Nylon with a yellow polyester interior. The bag interior contains 6 or 8 pockets (depending on size) for the fabric covers.

Sony's FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.

Spanning a versatile telephoto range, the FE 200-600mm f/5.6-6.3 G OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and sports applications. Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design and, as a G series lens, optical quality, focus speed, and attention to handling details are also priorities of this well-rounded super-tele zoom.

Combining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.

Enhance your mirrorless camera capture with outstanding optical performance using the SP3 25mm T2.4 Full-Frame Prime Lens from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a "B" or "C" camera drone or gimbal solution that complements your "A" camera footage.

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

Add a set of professional cinema lenses to your kit with this Cooke miniS4/i Cine Lens Set of 6 x Lenses. The set includes the 18, 25, 32, 50, 75, and 100mm T2.8 cine lenses. Each lens in the set features a clickless aperture with an aperture range of 2.8 to 22, and they cover Super 35-sized sensors. Featuring a PL mount, these lenses are designed as true cinema lenses with geared focus and iris as well as manual focus.

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

The Cooke 135mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look

TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS

The Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.

The Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.

The Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.

The Cooke 40mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.

The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.

The Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.

Cooke lens that include the 25mm, 32mm, 40mm, 50mm, 75mm, 100mm.

Cooke’s /i Technology enables cameras to automatically store key lens data on everything from lens setting and focusing distance to aperture and depth-of-field. Equipping cinematographers with essential information, it streamlines production and post processes while eliminating the need for guesswork.

A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.

G Master Image Quality

Designed to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.

• Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.

• Two ED (extra-low dispersion) and two Super ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.

• Five aspherical elements, including two extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.

• Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.

• An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.

Faster AF and Floating Focus Mechanism

Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.

• Four XD (extreme dynamic) Linear Motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both photo and stills.

• Faster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.

• Floating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.3" at the 24mm position or 11.8" at the 70mm position and a maximum magnification of 0.32x at the 70mm position.

• Internal focusing design promotes snappier, more responsive focusing performance and also maintains the overall lens length during operation.

Improved Control and Video Capabilities

Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.

• Focus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.

• Supports the Breathing Compensation function in select cine-line and Alpha cameras.

• The XD Linear Motors are also especially quiet to better enable the use of AF during video recording.

• Linear Response MF provides natural, intuitive manual focus control.

• Manual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.

Compact, Lightweight, and Robust Design

Among the smallest and lightest f/2.8 standard zooms available, this lens doesn't lose sight of its professional attributes and also remains a weather-sealed, durable lens for use in trying working conditions.

• Approximately 22% lighter and 18% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.

• Now fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.

• Two programmable focus hold buttons and a focus mode switch for intuitive focus control.

• Zoom smoothness switch for changing between Smooth and Tight zoom ring torque.

• Hybrid construction uses both metal and plastic components to maximize both durability and a low weight design.

• Dust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.

• Front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.

• Included lens hood features a locking button and a filter window for easier adjustment of rotating filters (e.g. polarizers, variable NDs).

Prized for its ability to isolate focus, the FE 135mm f/1.8 GM from Sony is a medium telephoto prime characterized by a bright and sophisticated design. Perfect for portraiture, this lens also excels in close-range sports shooting and as a unique focal length for landscape subjects. Its G Master design prioritizes both sharpness and bokeh quality and the lens also sports fast autofocus capabilities and a durable build quality.

Fast Design and Advanced Optics

• As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.

• Bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over focus position when using shallow depth of field techniques.

• Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

• One XA element is incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.

• Two extra-low dispersion elements, including one Super ED element, are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

• A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

Fast and Accurate AF

• XD Linear Motor system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.

• Minimum focusing distance of just 2.3' renders a 0.25x maximum magnification for working with close-up subjects.

• Two customizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.

Weather-Sealed Construction and Intuitive Handling

• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.

• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

• Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.

The Bokeh Master

Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM OSS from Sony is a short-telephoto prime featuring a unique and sophisticated optical design. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background.

Smooth Trans Focus

• Optical design incorporates an apodization (APD) element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to denser around the edges, produces more circular out-of-focus highlights for more pleasing selective focus and shallow depth of field effects.

• An aperture range of f/2.8 to f/20 is available, however the implementation of the apodization filter renders this range as T5.6 to T22.

• A rounded 11-blade diaphragm further contributes to a pleasing bokeh quality when employing shallow depth of field techniques.

G Master Optics

G Master lenses prioritize sharpness and bokeh quality by featuring advanced optical designs and specialized elements.

• One extra-low dispersion (ED) element reduces color fringing and chromatic aberrations while one aspherical element controls spherical aberrations for improved clarity and sharpness.

• Optical layout has also been designed to reduce peripheral highlight distortion due to vignetting in order to achieve rounder out-of-focus highlights in both the foreground and background.

• A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

Autofocus and Macro Switching

• Direct Drive Super Sonic wave Motor AF system provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.

• Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.

• Macro switching ring allows you to choose between two focusing ranges: 2.8' to infinity or a closer range of 1.9-3.3'.

• Maximum magnification of 0.25x at minimum focus allows for near-macro capabilities for true close-up detail shooting.

• Customizable focus hold button on lens barrel can be used to hold the focusing position, or can be set in-camera to control a variety of additional lens functions.

Handling and Physical Design

• Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.

• Manual aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.

• A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

The Ultimate Portrait Prime

Often referred to as the perfect focal length for portraiture, the Sony FE 85mm f/1.4 GM is a fast short-telephoto prime distinguished by its flattering field of view, advanced optics, and ability to isolate subjects with shallow depth of field. As a G Master lens, too, this lens offers refined sharpness and bokeh quality, championing a pleasing image quality well-suited for portraits, events, and and other situations where focus control is paramount.

Fast Design, Refined Optics

• As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.

• Fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over focus position when using shallow depth of field techniques.

• A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.

• Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

• One XA element is incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.

• Three extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

Practical and Intuitive Handling

• Linear Super Sonic wave Motor (SSM) autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.

• An AF/MF switch is located on the lens barrel for tactile control over this setting.

• Focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select settings.

• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.

• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

Offering the latest in lens technology, the Sony FE 50mm f/1.4 GM Lens is designed with sophisticated elements and advanced optics to provide uncompromising image quality for still and video shooters alike. A member of the esteemed G Master lens family, this versatile normal-length prime provides a natural field of view, allowing you to create memorable images to last a lifetime. An excellent choice for everyday use, this lens also includes a fast and precise autofocus system in a lightweight and compact design making it convenient to take with you everywhere you go.

G Master Resolution and Bokeh

• Two XA (extreme aspherical) elements minimize aberrations and distortions while also providing outstanding resolution and sharpness.

• One ED (extra-low dispersion) glass element effectively eliminates chromatic aberration and color fringing to produce a high degree of clarity and color accuracy.

• Applied to specific elements, a Nano AR Coating II greatly reduces reflective light to decrease ghosting and flare for increased contrast and color accuracy in strong lighting conditions.

• Bright f/1.4 maximum aperture provides a very shallow depth of field for pleasing background blur when using selective focus techniques.

• Ideal for portraits, a circular 11-blade aperture produces deep and dreamy bokeh.

• Beyond depth of field control and pleasing bokeh, the lens's f/1.4 aperture also allows for handheld shooting in low-light conditions.

High-Performance Autofocus

• Maximizing the advantages of the latest camera bodies, two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. Designed to enhance control for both still and movies, this design also provides natural manual focus control when desired. Located on the lens barrel, an AF/MF switch enables tactile control for these settings.

• Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.

• Minimum autofocusing distance of 16" allows for dynamic close-up images.

Controls and Functions

• New for Sony primes, an iris lock switch prevents the aperture ring from being accidentally moved. This switch can also be unlocked allowing the aperture ring to rotate seamlessly and silently.

• Benefitting video applications, an easy-to-read aperture ring with f-stop engraving can be quickly de-clicked on the lens barrel for smooth and silent aperture control.

• Two focus hold buttons are featured on the lens barrel for intuitive control and rapid access to select settings.

• Tactile in its design, a Linear Response manual focus ring provides fine linear focus control.

Compact and Durable Design

• Despite its wide f/1.4 maximum aperture, complex optical design, and inclusion of a high-performance AF system, this lens still manages to be compact and lightweight for everyday use, measuring 3.1 x 3.7" and weighing just 18 oz.

• Meant for use in challenging conditions, this lens features dust and moisture-resistant construction. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount.

• Fluorine coating on the front element repels water, oil, fingerprints, and contaminates while also making the lens easy to clean.

G Master Optical Design

As part of Sony's esteemed G Master series, this lens is designed to achieve a balance of impressive resolution and sharpness along with distinctive and pleasing bokeh.

• Two XA (extreme aspherical) elements effectively control astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.

• One extra-low dispersion element reduces chromatic aberrations and color fringing for improved clarity and color neutrality.

• Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.

Wide-Angle Versatility and f/1.4 Speed

• The 35mm focal length is inherently versatile; perfectly suited for street, landscape, and reportage subjects, it also excels as a creative choice for other applications like fashion and portraiture.

• Fast f/1.4 maximum aperture benefits working in low-light conditions and also helps to control depth of field and produce selective focus effects.

• Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Fast and Precise Focusing

Two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.

• Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.

• Minimum focusing distance of 9.8" suits making dynamic close-up images.

• Despite its wide-angle field of view, the close minimum focusing distance and bright maximum aperture enable creating shallow depth of field imagery characterized by a strong close-up subject and a soft background.

Durable and Reliable Design

Besides signaling impressive optics, G Master lenses are also characterized by a robust and reliable physical construction that includes weather sealing and protective coatings.

• Unique among fast wide-angle primes, the 35mm f/1.4 GM is distinguished by its sleek and lightweight form factor, measuring 3 x 3.9" and weighing 1.1 lb.

• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

• Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.

• A focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.

• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.

Fast and Portable Wide-Angle

Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.

G Master Optical Performance

• As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.

• Notably fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.

• Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

• Two XA elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.

• Three extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.

• Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast in strong lighting conditions.

Responsive AF and Intuitive Handling

• Direct Drive Super Sonic wave Motor AF system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.

• A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select settings.

• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.

• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.

• Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.

The Cine-Servo 17-120mm T2.95 with EF or PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.

With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.

The Canon CN-E 30-300mm T2.95-3.7 L S PL Mount Cinema Zoom Lens is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a EF mount, including Canon's EOS C300. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.

With a focal length range of 30-300mm, the 10x cinema zoom lens is designed to cover the longer end of the focal lengths typically required by cinematic productions, and its maximum telephoto length of 300mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 14.5-60mm T2.6 L S, covers the wider end.) Maximum aperture is a relatively fast T2.95 throughout much of its range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.

The lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera – or from behind it. Depending on the production's needs, focus markings can be switched from standard to metric. The lens facilitates manual operation that's subtle, smooth, precise, and repeatable. Control rings are designed to provide and maintain the proper amount of resistance so you can operate with a consistent torque. The focus rotation angle is about 300°; for zoom, it's approximately 160°.

The CN-E 30-300mm T2.95-3.7 L S lens complements the other lens in the line in more ways than just focal length range: Their shared 136mm front diameter, gear positions, and rotation angle make them almost "hot-swappable" when they're used with a shared matte box or follow focus.

The Caliber LED Fresnel 3-Light Kit with Soft Casefrom Litepanels is a lightweight versatile and highly controllable lighting solution for photographers and videographers on location or on set. The kit includes 3 Caliber LED Fresnel lights, each with 4-way barndoors, a PIXI tabletop tripod, color frame, gel set and international AC power supply. The kit also includes a compact light stand, ball head shoe mount and a soft case with customizable interior compartments.

Ideal for travel and location work, the 2" Caliber Fresnel measures 8.8 x 3 x 3 and weighs just 1.3 lb. yet its daylight-balanced output is the equivalent of a 150W tungsten fixture while consuming just 17W of current. Versatility and control are key to the Caliber's design. Its 0-100% dimming range and exceptionally wide 17-73 degree spot-to-flood beam angle make it highly useful for everything from wide, soft wash lighting to sharp-shadow sunlight effects or hairlighting. The included 4-way barndoors allow further refinement and precise placement of the unit's beam. The light is ready for worldwide use via its included 100-240 VAC power supply but it can also run on 6 easily-sourced AA batteries when mains power is unavailable.

The lights and accessories store and travel in a soft-sided 16.5 x 10.5 x 12" case with user- adjustable interior compartments that weighs just 13 lb when filled with the kit's components.

Litepanels Caliber LED Light

The Caliber LED Fresnel Light from Litepanels is a lightweight versatile and highly controllable lighting solution for photographers and videographers on location or on set. The light includes a 4-way barndoor set, a PIXI tabletop tripod, color frame, gel set, and international AC power supply.

Ideal for travel and location work, the 2" Caliber Fresnel measures 8.8 x 3 x 3" and weighs just 1.3 lb., yet its daylight-balanced output is the equivalent of a 150W tungsten fixture while consuming just 17W of current. Versatility and control are key to the Caliber's design. Its 0-100% dimming range and exceptionally wide 17-73 degree spot-to-flood beam angle make it highly useful for everything from wide, soft wash lighting to sharp-shadow sunlight effects or hairlighting. The included 4-way barndoors allow further refinement and precise placement of the unit's beam. The light is ready for worldwide use via its included 100-240 VAC power supply, but it can also run on 6 easily-sourced AA batteries when mains power is unavailable.

Caliber Advantages

1. True Fresnel fixture that produces highly controllable illumination

2. Flicker-free at any frame rate or shutter angle

3. Ultra-smooth dimming from 0 - 100%, with no noticeable color shift throughout the entire range

4. Low power draw means the portable fixtures can run anywhere light is needed, on AA batteries or via AC (fixture is 2x brighter when run on AC)

5. Low 17W power draw with output comparable to a 150W tungsten fixture

6. Durable rugged aluminum chassis design

7. Serve as a battery compartment for mobile lighting

8. Provides efficient thermal management to ensure color quality and long life

9. Premium selected high CRI/TLCI rated

Photometrics with AC Power

Spot: 15 Degrees
2,097 lux / 195 fc @ 6.0' (1.8 m) with a beam diameter of 1.6' (0.5 m) and field diameter of 2.6' (0.8 m)
932 lux / 87 fc @ 9.0' (2.7 m) with a beam diameter of 2.4' (0.7 m) and field diameter of 4.0' (1.2 m)
524 lux / 49 fc @ 12' (3.7 m) with a beam diameter of 3.2' (1.0 m) and field diameter of 5.3' (1.6 m)
Flood: 73 Degrees
225 lux / 21 fc @ 6.0' (1.8 m) with a beam diameter of 9.0' (2.7 m) and field diameter of 12.5' (3.8 m)
100 lux / 9.0 fc @ 9.0' (2.7 m) with a beam diameter of 13.3' (4.1 m) and field diameter of 18.7' (5.7 m)
56 lux / 5.0 fc @ 12' (3.7 m) with a beam diameter of 17.8' (5.4 m) and field diameter of 25' (7.6 m)

Manfrotto PIXI Mini Table Top Tripod (Black)

The black PIXI Mini Table Top Tripod from Manfrotto doubles as a tabletop tripod and a handheld grip support for a DSLR, point and shoot, or compact camcorder. The legs are rounded on their outer side, so the closed tripod provides a comfortable hand grip. When open, the tripod and head have a maximum height of 5.31". Rubber feet prevent slipping and protect delicate surfaces.

Fabricated from stainless steel and black Adapto polymer, the PIXI supports up to 2.2 pounds while weighing only 6.7 ounces. Its built-in ball head has a 1/4"-20 camera screw and a unique design that allows adjustments and locking with a single push button. Besides cameras, the PIXI is also ideal for iPhones outfitted with the optional Manfrotto KLYP, and other small devices.

DSLR Compatibility

The PIXI has been developed for entry level DSLRs fitting these basic requirements:

1. Body: maximum weight of 1.4 lb

2. Focal length: maximum 85mm (standard non-professional lens)

3. Total equipment payload: maximum 2.2 lb

The LS 600d Pro Daylight LED Monolight from Aputure is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1200W HMI, augmented by its 55° Hyper Reflector. The precision fixture has a solid 5600K color temperature with a high CRI/TLCI rating of 96 that is great for location shooting outdoors, or in areas dominated by other daylight-balanced fixtures such as HMIs. Besides power, control is a driving force in the design of the 600d Pro. The light also has a myriad of wireless control methods, such as the included 2.4 GHz remote, the Sidus Link mobile app, and the built-in wireless DMX control. It has four dimming curves: Linear, Exponential, Log, and S-Curve, to ensure accuracy regardless of your chosen brightness level. While you can make adjustments locally on the fixture, you can also make them wirelessly at a distance up to 328' via these methods - a real attribute for lights mounted overhead or in hard to reach places.

Powering the light has options too. The light is ready for worldwide use via its 100 to 240V power supply but thanks to its dual battery plate it can be powered by two 14.4V, 26V, or 28.8V batteries. The control box also accepts 48V (15A) DC power via a 3-pin XLR for external power stations. You can use two V-Mount mount batteries and recharge them while they are connected to the plugged-in light.

The 600d Pro is weatherproof (dust and water resistant), so it is built to withstand any shooting environment. When it comes to features Aputure has left no stone unturned with the inclusion of special effects such as paparazzi, fireworks, lightning, faulty bulb, TV, pulsing, strobe, and explosion. Aputure has also generously provided a rolling case for storage and transport.

Benefits

• 98,500 Lux at 3.3' with the Hyper Reflector

• 8,500+ Lux at 9.8' with the Hyper Reflector

• 29,300+ Lux at 9.8' with the F10 Fresnel

• Comparable to a 1200W HMI or Joker 800

• 0 to 100% Stepless brightness control

• CRI: 96, TLCI: 96, SSI (D55): 72

• Dust and light rain weather resistant

• Multiple control methods: 2.4 GHz remote, Sidus Link Bluetooth App control, built-in wireless DMX, Art net, Ethernet, 5-pin DMX512 In and Out

• Dual battery plate power supply supports multiple voltages up to half or full power (14.4V / 26V / 28.8V)

• Can achieve half output with two V-mount or Gold Mount batteries (14.4V / 15A, 26V / 8.5A, 28.8V / 7.5A)

• Can achieve max. power with two V-mount or Gold Mount batteries (26V / 18A, 28.8V / 16A)

• Charge V-Mount batteries when plugged into AC Power (14.4V / 26V / 28.8V)

• Supports 48 VDC input power at 15A, including battery power stations and block batteries (3-pin XLR)

• Optimized LS 600-Series Hyper Reflector for increased output

• Accepts Bowens mount light modifiers

• Curved, handbrake-locking yoke with 360° rotation

• Dual Junior/Baby Pin for easy mounting

• Separate control box for a lighter lamp head

• 19.7' Weatherproof locking Neutrik Power Cable

• Built-in lightning clamp quick release plate

• 4 Dimming Curves: Linear, Exponential, Log, S-Curve

• 8 Built-in Lighting FX: Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, and Explosion

Illuminate Your Creativity with Nanlite FS-300B Bi-Color LED Monolight!

The FS-300B by Nanlite is a meticulously engineered AC-powered, bi-color LED monolight designed to deliver maximum light output while maintaining a uniform light spread. This all-in-one monolight uses a vast LED array and a precision-engineered reflector to emit an astonishing 38720 Lux of 5600K daylight-balanced light at a 1-meter distance. What makes it even more versatile is its bi-color capability, providing a color temperature range (CCT) of 2700K-6500K, all while sustaining a high CRI/TLCI of 96/97 for precise color rendition.

With the built-in Bluetooth, control the FS-300B effortlessly using the free NANLINK mobile app available for both iOS and Android. Additionally, the built-in 2.4G enables control with the WS-RC-C2 remote control (sold separately) or the WS-TB-1 Transmitter Box for more intricate setups (also sold separately).

Maximized Light Output with Even Spread
The Nanlite FS-300B LED Monolight surpasses most COB LED monolights by employing a larger LED array. This design enables it to deliver up to 38720 Lux of 5600K light at 1 meter with the provided reflector, ensuring a smooth and even light spread with no hotspots, even when used in a softbox.

Versatile Bi-Color with Advanced Functionalities
Offering a fully adjustable CCT range of 2700K-6500K, the FS-300B affords the complete versatility of bi-color lighting. It also incorporates advanced features from the top-tier Forza 720B, including the Maximum Output Mode, which supplies the full power of the light, and the Constant Output Mode, which maintains consistent intensity across the CCT range.

Innovatively Integrated Monolight with Efficient Cooling
The FS-300B is a true monolight, combining the control unit, power adapter, and lamp body into a single compact unit. This integrated design not only makes it more lightweight but also enables effective heat dissipation, ensuring the fixture operates optimally for extended periods.

Compatibility with Bowens Style Light Modifiers
The FS-300B features a near-universal Bowens style light modifier mount and includes an umbrella holder in the yolk. This design makes it compatible with a vast selection of light modifiers, including, but not limited to, Nanlite's own line of fresnels, softboxes, and umbrellas.

Creative Control with Practical Effects
Equipped with a user-friendly menu system and customizable pre-programmed special effects, the FS-300B facilitates the imitation of lighting scenarios that are otherwise challenging to recreate. With just a button press, you can simulate 12 different practical lighting effects: CCT Loop, INT Loop, Flash, Pulse, Storm, TV, Paparazzi, Candle/Fire, Bad Bulb, Fireworks, Explosion, and Welding.

Whether you are a professional videographer, photographer, or a content creator, the Nanlite FS-300B Bi-Color LED Monolight is a must-have addition to your lighting arsenal. Its unparalleled light output, color accuracy, and versatility make it a reliable tool for any lighting situation.

NanLite FS-300 Features

• Astonishing 38720 Lux light output for extraordinary brightness and clarity

• Advanced bi-color flexibility with a CCT range of 2700K-6500K

• High CRI/TLCI ratings of 96/97 for accurate and vibrant color rendition

• All-in-one compact design integrates control unit, power adapter, and lamp body

• Seamless heat dissipation for extended performance

• Easy control via built-in Bluetooth and NANLINK mobile app

• 2.4G connectivity for WS-RC-C2 remote control or WS-TB-1 Transmitter Box compatibility

• Universal Bowens style light modifier mount and built-in umbrella holder

• Twelve practical lighting effects easily accessed through a user-friendly menu

• Lightweight and portable, ideal for on-location shoots

Nanlite expands their LED tube light line with the second-generation PavoTube II 15C 2-Light Kit, featuring two versatile 2' fixtures with power supplies and mounting accessories. At over 423 lux at 3.3' (5600K) for each light, the PavoTube II 15C delivers exceptional color accuracy with a wider color temperature range from 2700 to 7500K, as shown by its CRI and TLCI scores of 97 and 98. These tube lights are ideal for filmmakers and content creators setting up lighting in the studio or on location. With 0 to 100% dimming and 15 preprogrammed special lighting effects, they can be used as key, fill, backlights, or for in-camera practical effects.

Multiple improvements include faster recharging via included AC adapters or a USB-C port on the back of each fixture, seamless diffusion, green-magenta shift by +/- 150, Bluetooth and 2.4 GHz for wireless control, DMX/RDM capability, and smaller endcaps to minimize distractions on your frame. The PavoTube II 15C has a built-in rechargeable battery that will give you up to 2 hours of battery life at 100% brightness. The light also offers universal power capability via included multi-voltage AC adapters or runs on optional external batteries. T12 compatible with a 1.9" diameter, this kit comes with two clips equipped with 1/4"-20 mounts, four steel safety wires for hanging, and a padded carry bag for storage and transport.

Seamless Light

Developed for larger illumination areas, the PavoTube II 15C's improved internal diffusion obscures the individual LED diodes to create a seamless light source that looks compelling in-frame as well as smoother on reflective surfaces when applied out-of-frame.

Accurate Color

The PavoTube II 15C features a CRI of 97 and a TLCI of 98, meaning you can shoot with confidence knowing the color reproduction will be precise. For a more detailed perspective on color rendering, it also has TM-30 scores of RF 94 and RG 101. No matter how bright or dimmed, the light you see will remain accurate across any CCT. Besides color accuracy, the light is equipped with 15 preprogrammed customizable effects that can be saved as presets using the free NANLINK app.

Green-Magenta Adjustment

In shooting situations where you need to match other light sources or achieve a specific look, it can be extremely helpful to adjust the green-to-magenta shift for color correction. With this PavoTube II 15C's feature you can tweak the color by +/- 150 to get there.

AC Power & Battery Advancements

The light's built-in battery recharges 1 hour and 10 minutes faster than previous generations. You can charge it using the USB-C port on the back of the fixture or connecting the included AC adapters to the PavoTube II 15C's endcap for continuous power. It also gives you the possibility of using D-tap batteries with the separately available CB-DT/DC cable.

• Up to 2 hours of battery life at 100% brightness

• Up to 4 hours at 50% brightness

• Up to 9.5 hours at 10% brightness

• Up to 14 hours at 1% brightness

Onboard, DMX & App Control

The PavoTube II 15C features a convenient OLED display and two onboard buttons and knobs for precise and easy local control, but the light can also be controlled remotely.

• You can fully control the light from your smartphone via Bluetooth with the free NANLINK app for iOS and Android

• Built-in 2.4 GHz lets you use the separately available WS-RC-C2 handheld remote or the WS-TB-1 transmitter box for larger setups

• Locking DMX/RDM ports facilitate advanced control and enables the PavoTube II 15C to be quickly adopted into any DMX controlled environment using the separately available CB-DMX-3.5C-1/2 adapter cable

Portable & Lightweight

Versatile and portable, the PavoTube II 15C is bright enough for multiple applications and compact enough for tight spaces or even to hide behind objects without getting to the frame. Each 2' long tube light weighs only 1.9 lb, which makes it a portable lighting solution.

Additional Benefits & Refinements

• The new design requires separately available fabric barndoors and grid accessories

• Lock button prevents accidental setting changes

• Front-facing power switch is recessed to avoid unwanted activation

• It can stand vertically with the separately available LSFLT12MII foldable floor stand

• USB port allows firmware updates

B&H has put together this Aputure LS 1200d Pro LED Light Kitto offer a powerful lighting setup for your next shoot. It features an LS 1200d Pro LED Light with an output comparable to a 1600W HMI. Three Bowens-mount hyper reflectors are included to offer narrow, medium, and wide beam angles.

Aputure LS 1200d Pro LED Light

The LS 1200d Pro LED Light from Aputure is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1600W HMI. The precision fixture has a solid 5600K color temperature with a high CRI/TLCI rating of 95 that is great for location shooting outdoors, or in areas dominated by other daylight-balanced fixtures such as HMIs. Besides power, control is a driving force in the design of the 1200d Pro. The light supports multiple wireless control methods, including the Sidus Link mobile app and the built-in wireless DMX control. The 1200d Pro is also compatible with LumenRadio CRMX, Art-net, and sACN via an etherCON connector. It also has 5-pin DMX512 connectivity for seamlessly integrating into any professional DMX interface.

It has four dimming curves: Linear, Exponential, Log, and S-Curve, to ensure accuracy regardless of your chosen brightness level. While you can make adjustments locally on the fixture, you can also make them wirelessly from a distance, and this is very useful when the light is mounted overhead or in hard-to-reach places.

The light is ready for worldwide use via its universal power supply. It also has two 48V/15A 3-pin XLR DC inputs supporting half or full power via various compatible battery options.

The 1200d Pro is weatherproof (dust and water resistant) and built to withstand any shooting environment. When it comes to features Aputure has left no stone unturned with the inclusion of special effects such as paparazzi, fireworks, lightning, faulty bulb, TV, pulsing, strobe, and explosion. Aputure has also generously provided a case for the included hyper reflector as well as a rolling case for storage and transport.

Benefits

• 83,100 Lux at 9.8' with Hyper Reflector (Narrow)

• 22,400 Lux at 9.8' with Hyper Reflector (Medium)

• 13,010 Lux at 9.8' with Hyper Reflector (Wide)

• 1200W Daylight Bowens mount point source LED

• 5600K Daylight CCT

• Optimized Output with 3 Hyper Reflectors: Narrow (15°), Medium (30°), Wide (45°)

• CRI and TLCI ≥95, CQS≥96

• Weather Resistant: Dust and water resistant

• Stepless Brightness Control: 0.1-100%

• Frequency selection to reduce flicker

• Lead-Follow Mode for quick workflow

• Fan Modes: Smart/medium/high/silent

• Multiple Control Methods: SidusLink Bluetooth App Control, LumenRadioCRMX, Art-net and sACNvia etherCON, 5-Pin DMX512 In & Out

• Supports dual 48V/15A DC inputs (3-pin XLR), including battery power stations and block batteries

• Half power output with one 48V/15A power source

• Full power output with two 48V/15A power sources

• Junior Pin (1-1/8")

• Separate control box for a lighter lamp head

• Weatherproof 24.6' head cable

• Locking Neutrik 19.7' power cord

• Dual lightning clamp quick release plates

• Curved, Disk-Brake Yoke with 360°Rotation

• Utilizes universal Bowens mount standard

• Dimming Curves: Linear, Exponential, Log, S-Curve

• Lighting FX: Paparazzi, fireworks, lightning, faulty bulb, TV, pulsing, strobe, and explosion

• Includes rolling case and reflector carrying case

Aputure LS1200 Series Reflector Kit

The Aputure LS 1200 Series Reflector Kit is the one included with the Aputure LS 1200d Pro LED light. It's compatible with the LS 1200d Pro as well as the LS 600c Pro, which have similar, large chipsets. The kit features three Bowens mount hyper reflectors with varying beam angles: narrow, medium, and wide. They provide a natural falloff similar to how traditional lighting fixtures do, and they increase the brightness of the large-chip lights. (When compared to the LS 600 series hyper reflector that's commonly used with the LS 600c Pro light, this reflector kit allows you to achieve increased intensity and different beam angles.)

Photometrics When Used with LS 1200d Pro

• 83,100 lux at 9.8' with narrow reflector

• 22,400 lux at 9.8' with medium reflector

• 13,010 lux at 9.8' with wide reflector

Photometrics When Used with LS 600c Pro

• 17,480+ lux at 9.8' with narrow reflector

• 5,300+ lux at 9.8' with medium reflector

• 2,694+ lux at 9.8' with wide reflector

Monitor your camera with the Cine 7 Touchscreen On-Camera Monitor from SmallHD. Featuring a sharp 7" display suitable for indoor or outdoor use, the Cine 7 monitor supports up to UHD 4K HDMI output as well as various HD and SD formats via one full-size HDMI input, one HDMI output, one 3G-SDI input, and one 3G-SDI selectable input/output. The monitor also supports cross conversion from HDMI to SDI and from SDI to HDMI.

The Cine 7 features a bright 1800 cd/m², 322 ppi, 1920 x 1200 IPS LCD touchscreen with 3D LUT compatibility. Using the intuitive PageOS 4, you can turn on and save pages of various monitoring tools and focusing aids with a finger tap. At the rear of the monitor, an L-series mount battery plate accepts two L-series batteries for powering your monitor.

Key Features

Daylight-viewable, 7" touchscreen on-camera monitor with 1800 cd/m² brightness

Slim, lightweight design with 10-bit, touchscreen IPS LCD panel

Supports up to 1080p60 video via full-size HDMI and 3G-SDI inputs

HDMI-to-SDI and SDI-to-HDMI cross conversion is supported

Uses SmallHD PageOS 4 to organize and save customized function and settings pages

The included dual L-series battery plate allows you to hot-swap batteries as necessary, and the plate itself is swappable for other battery plates

Four 1/4"-20 mounting points on top, left, right, and back

RED Control Features

Run/stop

Color controls

Exposure controls

Status

Color temperature

Video format

Playback

Shutter

Menu control

Software Features

Pixel zoom: 1.1 to 2x and 2 to 8x via swipe up/down, with pinch zoom

DSLR scale: Canon 5D Mk II and Canon 7D

Custom scale: Underscan only

Anamorphic de-squeeze: 0.75x, 1.33x, 1.5x, 2.0x, 2.5x

Image flip: Auto and manual

Image rotation: Auto and manual

Color focus assist: Adjustable style and intensity

Peaking: Adjustable intensity

False color: Spectrum, ARRI-style, and customizable

Dual zebra: Customizable

Waveform: Luma and RGB, customizable with region of interest highlighting

Vectorscope: Yes

RGB parade: Customizable

Histogram: Luma and RGB

Image capture: With dedicated button and image gallery

Custom LUTs: Load as looks on pages or as system-wide calibration via the settings menu

LUT import: Via SD card or USB storage device

Image overlay: Opacity slider and blink setting

Audio meters: HDMI and SDI up to 8 channels

Set your exposure properly and focus accurately when capturing video with the help of the BM5 III 5.5" HDMI Touchscreen Monitor with Wired Camera Control from PORTKEYS. This ultrabright onboard monitor features a 2200 cd/m² brightness, a 1920 x 1080 resolution display, a durable aluminum build, both HDMI and 3G/SDI video inputs, and an SDI loop output. It supports input up to 1080p60 from your camera.

The monitor features a 4-pin power output, an L-series battery plate, and a 5-pin focus control port for direct control of a focus motor such as a Tilta Nucleus-N or Nucleus-M using an optional cable. The mini-USB port can be used to control multiple camera functions using a separately available control cable on a variety of Canon, Panasonic, Z CAM, Sony, and Blackmagic Design cameras.

Wired Camera Control

Wired control of select Sony, Canon, Panasonic, Blackmagic Design, and ZCAM E2 cameras

Wired Motor Control

The BM5 III can display the position of the Tilta Nucleus N/M and display the wireless follow focus scale

Touchscreen Control Focus

When you touch the screen of the monitor, it draws highlights around the edge of the focus, so you can focus quickly and accurately in real time without any other tools when using the RED KOMODO, Panasonic BGH1, or the ZCAM E2

2200 cd/m² High-Bright Monitor

The BM5 III offers a 2200 cd/m² ultrabright 5.5" display with excellent color, resolution, contrast, and precise image control

Robust Design

The rugged aluminum alloy shell design is durable and lightweight, weighing only 12.6 oz yet able to withstand heavy daily operations

HDMI In/SDI In/Loop Out

HDMI input and SDI input and loop output ports with the ability to output a superimposed image with 3D LUT and peaking via the SDI output

Image Tools

• 3D LUT support with custom LUTs via USB

• Peaking

• False color

• Luma

• Waveform

• Real-time eye focus

• Anamorphic de-squeeze

• Anamorphic lens calibration

• Frame guides, crosshairs, grids

• Color temperature

• Brightness

• Sharpness

• Cropping

• Check field

• Zebra

• Luma histogram

• Custom RGB 

• Audio meters

• HDR/HLG support

Add a professional UHD 4K monitor to your studio with the Vision 17" 4K HDR Pro Monitor from SmallHD. Featuring the updated SmallHD OS4.1, the monitor provides a crisp image with 8-bit DCI-P3 color intelligence, 1000 cd/m² brightness, and a 1,000,000:1 contrast ratio.

The monitor features four 12G/6G/3G/HD-SDI inputs and four 12G/6G/3G/HD-SDI outputs, as well as one HDMI 2.0 input and one HDMI 2.0 output. All functionality of the monitor is accessed via the innovative Page Builder in OS4.1, which features a fully redesigned UI, preconfigured pages, and page tabs. Other monitoring features include a calibration wizard, false color overlays, waveform, pixel zoom, focus assist, peaking, and improved function buttons. Additional functions with OS4 are 4K waveforms and scopes with regions of interest, with more functions to be introduced with future firmware updates.

The monitor can be mounted using the 110mm VESA pattern on the back or by thirty-six 1/4"-20 threads around the top and sides of the monitor. You can power the monitor using a 3-pin XLR input or by a separately available dual V-mount or Gold mount battery plate, and they are hot-swappable. You can also power peripherals from the monitor using the two 2-pin LEMO-type outputs, the two USB Type-A outputs, or the one USB Type-C output.

Data inputs and output can be performed using the SD card slot to load 3D LUTs, and the monitor also features an RJ45 Ethernet port and an RJ45 GPI port for additional data and configuration. There is a 3.5mm headphone output to monitor the embedded audio.

The monitor includes numerous accessories such as an acrylic screen protector, a 3' long HDMI cable, two 1/4"-20 cheese-style accessory mounting sticks, two 1/4"-20 and 3/8"-16 cheese-style accessory mounting sticks, monitor feet, a monitor handle, a 3-pin XLR power supply, an 8GB SD card, and a microfiber cleaning cloth.

Key Features

• 17" UHD 4K monitor

• 1,000,000:1 contrast ratio

• 1000 cd/m² brightness

• Four 12G/6G/3G/HD-SDI inputs and four 12G/6G/3G/HD-SDI outputs

• One HDMI 2.0 input and one HDMI 2.0 output

• SD card slot for 3D LUTs

• One RJ45 Ethernet port

• One RJ45 GPI port

• 110mm VESA mounting on the back

• Thirty-six 1/4"-20 mounting threads on top and sides

• Smartrail mounting options

• 1/4"-20 and 3/8"-16 cheese-style mounting sticks included

SmallHD OS4.1

• Internal calibration wizard

• Color pipe color-space formatting

• Settings dashboard for easy access to common settings

• Preconfigured pages

• Page tabs

• Customizable false color overlays

• Customizable 4K waveform with region-of-interest highlighting

• Improved function buttons

• Pixel zoom, focus assist, peaking

• Total UI overhaul

Power Options

• One 3-pin XLR, 12-34V, 18A maximum

• Two 2-pin LEMO 12V, 2A outputs

• Two USB Type-A 5V, 2.4A outputs

• Two USB Type-C 5V, 1.5A outputs

• Separately available V-mount or Gold mount battery plates

• Requires 26V+ battery

• XLR and battery options are hot-swappable

The DECIMATOR MD-LX is a pocket-sized bidirectional converter featuring an HDMI input and output on one side, and 3G/HD/SD-SDI input and output on the other. It supports up to Full HD 1080p60 resolution and offers multiple input/output conversion modes.

Conversion Modes

• Auto select: Active input to all outputs, or SDI-to-HDMI and HDMI-to-SDI if both inputs are active

• HDMI input to SDI output and SDI input to HDMI output

• SDI input to HDMI and SDI outputs

• HDMI input to HDMI and SDI outputs

The Blackmagic Design ATEM Television Studio Pro 4K is a UHD 4K-compatible, 8-input live production switcher with an integrated control panel, suitable for broadcast, sports, web, and A/V productions. This versatile switcher's eight independent 12G-SDI inputs accept all popular HD and UHD signals up to 2160p60. A re-syncing feature on each input enables you to seamlessly use an amalgam of pro and consumer cameras, game consoles, and computer feeds.

Switch, add effects, color grade, and key in real time using the control surface's buttons, knobs, and slider. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. A software-based control panel is included and may be used independently, or on multiple laptops for delegating multicamera control. The ATEM Advanced Chroma Keyer, with one upstream and two downstream keys, offers live graphics and virtual set creation with improved image control and spill correction. Create PiP effects, resize and scale live video, and choose from 17 powered transitions with the ATEM Television Studio Pro 4K'S DVE processor.

Multiview output is available for all eight channels, via HDMI or SDI, complete with tally, labeling, audio metering, and safe-area marking. A talkback function is available for director/operator communication with compatible cameras. The integrated Fairlight audio mixer features six-band parametric EQ, compression, limiting, and stereo simulation on analog and mic inputs. Mix solely from the panel, or use the multitrack interface on your Mac or Windows PC. Use the auxiliary output port to send your switched program or clean feed to a large-scale screen or other display.

Features

• Eight 12G-SDI inputs, each with re-sync and low-latency conversion

• Supports HD video signals up to UHD 4K 2160p60

• 12-input, 2-channel Fairlight audio mixer

• UHD 4K multiviewer with up to 10 windows

• CCU functions for compatible cameras

• ATEM advanced chroma keyer

• Integrated talkback feature for compatible cameras

• Powerful DVE processor, 2-clip media pool with fill and key

• Mac and PC compatible