LENSES
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Spanning a versatile telephoto range, the FE 200-600mm f/5.6-6.3 G OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and sports applications. Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design and, as a G series lens, optical quality, focus speed, and attention to handling details are also priorities of this well-rounded super-tele zoom.
Combining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.
Enhance your mirrorless camera capture with outstanding optical performance using the SP3 25mm T2.4 Full-Frame Prime Lens from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a "B" or "C" camera drone or gimbal solution that complements your "A" camera footage.
TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS
Add a set of professional cinema lenses to your kit with this Cooke miniS4/i Cine Lens Set of 6 x Lenses. The set includes the 18, 25, 32, 50, 75, and 100mm T2.8 cine lenses. Each lens in the set features a clickless aperture with an aperture range of 2.8 to 22, and they cover Super 35-sized sensors. Featuring a PL mount, these lenses are designed as true cinema lenses with geared focus and iris as well as manual focus.
TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS
The Cooke 135mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look
TERMS AND CONDITIONS - Renter agrees all equipment was received in working order. Renter agrees rental will continue at full per day, non-discounted rate, until the rented items are returned. Renter agrees that I will be charged full replacement value for all damaged or unreturned items. Renter agrees pick up time is after 3PM on first day. Drop off time is before 11AM on last day. PICK UP OF EQUIPMENT CONSTITUTES AGREEMENT TO THE TERMS AND CONDITIONS
The Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The Cooke 40mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
Cooke lens that include the 25mm, 32mm, 40mm, 50mm, 75mm, 100mm.
Cooke’s /i Technology enables cameras to automatically store key lens data on everything from lens setting and focusing distance to aperture and depth-of-field. Equipping cinematographers with essential information, it streamlines production and post processes while eliminating the need for guesswork.
A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.
G Master Image Quality
Designed to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.
Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
Two ED (extra-low dispersion) and two Super ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.
Five aspherical elements, including two extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.
Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.
An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.
Faster AF and Floating Focus Mechanism
Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.
Four XD (extreme dynamic) Linear Motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both photo and stills.
Faster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.
Floating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.3" at the 24mm position or 11.8" at the 70mm position and a maximum magnification of 0.32x at the 70mm position.
Internal focusing design promotes snappier, more responsive focusing performance and also maintains the overall lens length during operation.
Improved Control and Video Capabilities
Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.
Focus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.
Supports the Breathing Compensation function in select cine-line and Alpha cameras.
The XD Linear Motors are also especially quiet to better enable the use of AF during video recording.
Linear Response MF provides natural, intuitive manual focus control.
Manual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.
Compact, Lightweight, and Robust Design
Among the smallest and lightest f/2.8 standard zooms available, this lens doesn't lose sight of its professional attributes and also remains a weather-sealed, durable lens for use in trying working conditions.
Approximately 22% lighter and 18% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.
Now fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.
Two programmable focus hold buttons and a focus mode switch for intuitive focus control.
Zoom smoothness switch for changing between Smooth and Tight zoom ring torque.
Hybrid construction uses both metal and plastic components to maximize both durability and a low weight design.
Dust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.
Front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.
Included lens hood features a locking button and a filter window for easier adjustment of rotating filters (e.g. polarizers, variable NDs).
Prized for its ability to isolate focus, the FE 135mm f/1.8 GM from Sony is a medium telephoto prime characterized by a bright and sophisticated design. Perfect for portraiture, this lens also excels in close-range sports shooting and as a unique focal length for landscape subjects. Its G Master design prioritizes both sharpness and bokeh quality and the lens also sports fast autofocus capabilities and a durable build quality.
Fast Design and Advanced Optics
As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.
Bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over focus position when using shallow depth of field techniques.
Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
One XA element is incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.
Two extra-low dispersion elements, including one Super ED element, are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
Fast and Accurate AF
XD Linear Motor system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.
Minimum focusing distance of just 2.3' renders a 0.25x maximum magnification for working with close-up subjects.
Two customizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.
Weather-Sealed Construction and Intuitive Handling
Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
The Bokeh Master
Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM OSS from Sony is a short-telephoto prime featuring a unique and sophisticated optical design. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background.
Smooth Trans Focus
Optical design incorporates an apodization (APD) element that helps to improve the quality of bokeh. This element, which resembles a radially graduated ND filter that tapers from clear in the center to denser around the edges, produces more circular out-of-focus highlights for more pleasing selective focus and shallow depth of field effects.
An aperture range of f/2.8 to f/20 is available, however the implementation of the apodization filter renders this range as T5.6 to T22.
A rounded 11-blade diaphragm further contributes to a pleasing bokeh quality when employing shallow depth of field techniques.
G Master Optics
G Master lenses prioritize sharpness and bokeh quality by featuring advanced optical designs and specialized elements.
One extra-low dispersion (ED) element reduces color fringing and chromatic aberrations while one aspherical element controls spherical aberrations for improved clarity and sharpness.
Optical layout has also been designed to reduce peripheral highlight distortion due to vignetting in order to achieve rounder out-of-focus highlights in both the foreground and background.
A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
Autofocus and Macro Switching
Direct Drive Super Sonic wave Motor AF system provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.
Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.
Macro switching ring allows you to choose between two focusing ranges: 2.8' to infinity or a closer range of 1.9-3.3'.
Maximum magnification of 0.25x at minimum focus allows for near-macro capabilities for true close-up detail shooting.
Customizable focus hold button on lens barrel can be used to hold the focusing position, or can be set in-camera to control a variety of additional lens functions.
Handling and Physical Design
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
Manual aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
The Ultimate Portrait Prime
Often referred to as the perfect focal length for portraiture, the Sony FE 85mm f/1.4 GM is a fast short-telephoto prime distinguished by its flattering field of view, advanced optics, and ability to isolate subjects with shallow depth of field. As a G Master lens, too, this lens offers refined sharpness and bokeh quality, championing a pleasing image quality well-suited for portraits, events, and and other situations where focus control is paramount.
Fast Design, Refined Optics
As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.
Fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over focus position when using shallow depth of field techniques.
A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
One XA element is incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.
Three extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Practical and Intuitive Handling
Linear Super Sonic wave Motor (SSM) autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.
An AF/MF switch is located on the lens barrel for tactile control over this setting.
Focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select settings.
Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Offering the latest in lens technology, the Sony FE 50mm f/1.4 GM Lens is designed with sophisticated elements and advanced optics to provide uncompromising image quality for still and video shooters alike. A member of the esteemed G Master lens family, this versatile normal-length prime provides a natural field of view, allowing you to create memorable images to last a lifetime. An excellent choice for everyday use, this lens also includes a fast and precise autofocus system in a lightweight and compact design making it convenient to take with you everywhere you go.
G Master Resolution and Bokeh
Two XA (extreme aspherical) elements minimize aberrations and distortions while also providing outstanding resolution and sharpness.
One ED (extra-low dispersion) glass element effectively eliminates chromatic aberration and color fringing to produce a high degree of clarity and color accuracy.
Applied to specific elements, a Nano AR Coating II greatly reduces reflective light to decrease ghosting and flare for increased contrast and color accuracy in strong lighting conditions.
Bright f/1.4 maximum aperture provides a very shallow depth of field for pleasing background blur when using selective focus techniques.
Ideal for portraits, a circular 11-blade aperture produces deep and dreamy bokeh.
Beyond depth of field control and pleasing bokeh, the lens's f/1.4 aperture also allows for handheld shooting in low-light conditions.
High-Performance Autofocus
Maximizing the advantages of the latest camera bodies, two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. Designed to enhance control for both still and movies, this design also provides natural manual focus control when desired. Located on the lens barrel, an AF/MF switch enables tactile control for these settings.
Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.
Minimum autofocusing distance of 16" allows for dynamic close-up images.
Controls and Functions
New for Sony primes, an iris lock switch prevents the aperture ring from being accidentally moved. This switch can also be unlocked allowing the aperture ring to rotate seamlessly and silently.
Benefitting video applications, an easy-to-read aperture ring with f-stop engraving can be quickly de-clicked on the lens barrel for smooth and silent aperture control.
Two focus hold buttons are featured on the lens barrel for intuitive control and rapid access to select settings.
Tactile in its design, a Linear Response manual focus ring provides fine linear focus control.
Compact and Durable Design
Despite its wide f/1.4 maximum aperture, complex optical design, and inclusion of a high-performance AF system, this lens still manages to be compact and lightweight for everyday use, measuring 3.1 x 3.7" and weighing just 18 oz.
Meant for use in challenging conditions, this lens features dust and moisture-resistant construction. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount.
Fluorine coating on the front element repels water, oil, fingerprints, and contaminates while also making the lens easy to clean.
G Master Optical Design
As part of Sony's esteemed G Master series, this lens is designed to achieve a balance of impressive resolution and sharpness along with distinctive and pleasing bokeh.
Two XA (extreme aspherical) elements effectively control astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.
One extra-low dispersion element reduces chromatic aberrations and color fringing for improved clarity and color neutrality.
Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.
Wide-Angle Versatility and f/1.4 Speed
The 35mm focal length is inherently versatile; perfectly suited for street, landscape, and reportage subjects, it also excels as a creative choice for other applications like fashion and portraiture.
Fast f/1.4 maximum aperture benefits working in low-light conditions and also helps to control depth of field and produce selective focus effects.
Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Fast and Precise Focusing
Two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.
Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.
Minimum focusing distance of 9.8" suits making dynamic close-up images.
Despite its wide-angle field of view, the close minimum focusing distance and bright maximum aperture enable creating shallow depth of field imagery characterized by a strong close-up subject and a soft background.
Durable and Reliable Design
Besides signaling impressive optics, G Master lenses are also characterized by a robust and reliable physical construction that includes weather sealing and protective coatings.
Unique among fast wide-angle primes, the 35mm f/1.4 GM is distinguished by its sleek and lightweight form factor, measuring 3 x 3.9" and weighing 1.1 lb.
Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
A focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.
Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
Fast and Portable Wide-Angle
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.
G Master Optical Performance
As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.
Notably fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.
Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Two XA elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.
Three extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast in strong lighting conditions.
Responsive AF and Intuitive Handling
Direct Drive Super Sonic wave Motor AF system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.
A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select settings.
Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
The Cine-Servo 17-120mm T2.95 with EF or PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team.
With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.
The Canon CN-E 30-300mm T2.95-3.7 L S PL Mount Cinema Zoom Lens is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a EF mount, including Canon's EOS C300. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.
With a focal length range of 30-300mm, the 10x cinema zoom lens is designed to cover the longer end of the focal lengths typically required by cinematic productions, and its maximum telephoto length of 300mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 14.5-60mm T2.6 L S, covers the wider end.) Maximum aperture is a relatively fast T2.95 throughout much of its range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.
The lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera – or from behind it. Depending on the production's needs, focus markings can be switched from standard to metric. The lens facilitates manual operation that's subtle, smooth, precise, and repeatable. Control rings are designed to provide and maintain the proper amount of resistance so you can operate with a consistent torque. The focus rotation angle is about 300°; for zoom, it's approximately 160°.
The CN-E 30-300mm T2.95-3.7 L S lens complements the other lens in the line in more ways than just focal length range: Their shared 136mm front diameter, gear positions, and rotation angle make them almost "hot-swappable" when they're used with a shared matte box or follow focus.
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Sony's FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.