Filmmakers get more control over what they capture with Mavic 3 Pro Cine Drone from DJI. This flagship drone adds a third lens to the system, with a 70mm f/2.8 medium telephoto, enhancing your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining is the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f/3.4 and 60 FPS for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro Cine safe for even beginner pilots.

Triple-Lens Camera System

• 24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f/2.8 to f/11 aperture and large 4/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG.

• 70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f/2.8 aperture and 1/1.3" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes.

• 166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f/3.4, letting more light in for better low-light performance using its 1/2" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups.

Safe Flying

An omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.

Cine Features

This Cine version of the Mavic 3 Pro is geared even more towards professional use, with Apple ProRes 422, 422 HQ, 422 LT, and H.264/H.265 encoding support across all three cameras. It also features a built-in 1TB SSD drive for capturing a significant amount of footage for more efficient and cost-effective flights.

Intelligent Flight Modes

• Waypoint Flight

• Cruise Control

• Hyperlapse

• MaserShots

• FocusTrack

• Panorama

• QuickShots

Additional Features

• Up to 43 minutes of flight time

• O3+ video transmission from up to 9.3 miles away

• Supports optional DJI Goggles 2, Goggles Integra, and RC Motion 2 for a more immersive flight experience

Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.

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Features

• High mobility for solo shooting

• Full Frame 8.6K (8632 x 4856) CMOS sensor with 16 stop dynamic range

• Dual Base ISO of 800/3200

• In-body Image Stabilization (3-axis PL mount, 5-axis Sony E-mount)

• Electronic variable ND (0.6 ~ 2.1 ND)

• Auto Focus with Face/Eye tracking technology

• Phase detection AF (Max 627 points)

• PL and Sony E-mount

• Full Frame and S35 sensor modes

• Multiple resolution support

The world's first digital cinema camera with an interchangeable E-mount and PL-mount lens, making it compatible with all Super35 and Full-Frame PL lenses. Its compact and lightweight design makes it an exceptional tool of filmmakers who need to remain nimble during long days on set. The camera's 8.6K full-frame sensor mirrors the remarkable capabilities of the Sony VENICE, along with a generous 16-stop dynamic range and a dual base ISO range of 800/3200 to ensure minimal noise even in dimly lit environments. Offering exceptional flexibility, the BURANO succeeds at shooting up to 30fps in FF 8.6K, 60fps in FF crop 6K, S35 5.8K, and an impressive 120fps in S35 crop 4K. Its in-body image stabilization and phase detection autofocus system with 627 points will also keep your subject in pin-sharp focus for consistently smooth and pristine footage.

Featuring a compact, lightweight carbon body, the ARRI ALEXA Mini complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range. Its 35mm-sized CMOS sensor features a titanium mount and a 4:3 aspect ratio. Use the preinstalled ARRI Look Library license to quickly apply any of 87 graded looks to your footage.

Operate the ALEXA Mini via wireless remote control, using the MVF-1 viewfinder, or while viewing an onboard monitor. Its small size suits it for use with gimbals, handheld rigs, or quadcopters and for multicamera shots, and in tight quarters. The lens mount is interchangeable, opening up a wider choice of lenses such as EF-mount still lenses. The ALEXA Mini can make use of ARRI AMIRA mounts, a boon for shooters working with both units.

Image quality, formats, and workflow are identical to those offered by other ALEXA models, enabling you to produce matching images across cameras, including in anamorphic mode. Record ProRes or ARRIRAW to an internal CFast card or externally to a Codex recorder (not included). Up to four ALEXA Minis can record simultaneously to one Codex recorder. The Mini's maximum frame rate of 200 fps (ProRes) enables you to avoid adding a separate camera for high-speed work.

The ALEXA Mini's integrated lens motor control is a space-saving feature useful when using gyro-stabilized and other specialized rigs, eliminating the need for an external control box. Integrated Wi-Fi connectivity enables the use of iOS or Android devices for remote control. Remote control is also possible using the ARRI WCU-4 hand unit. The ALEXA Mini offers high-quality performance in underwater locations and other low-light settings.

Built-in, motorized ND filters let you quickly respond to ambient light changes; this internal design also frees up a slot in your matte box for another filter. The ARRI LDS (lens data system) function is also built into the ALEXA Mini, enabling your AC to quickly adjust to changing parameters displayed on a control unit during a shot.

Using the power and large pixels of the 4:3 ALEV III sensor, the ALEXA Mini records up to UHD 4K ProRes images with the dynamic range, skin tones, and true-to-life colors for which ARRI cameras are noted. Recording in Open Gate and MFX/ARRIRAW formats requires additional, downloadable licenses (not included). Looking ahead to future standards, the wide dynamic range of the ALEXA Mini makes it suitable for HDR displays, and its 0.75-200 fps speed range can be used for increasingly-popular HFR (high frame rate) capture modes.

ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and richer, more accurate color reproduction. This ALEXA 35 Body & LBUS PL Mount Set combines the ALEXA 35 camera with a Cine License, an LBUS PL mount, a B-mount battery plate, and a BUD-1 Utility Dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.

4.6K Super35 ARRI ALEV 4 CMOS Sensor

Key to the ALEXA 35's amazing image quality is a new 4.6K Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.

Video Recording Formats

In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.

Stray Light Suppression

Stray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.

High ISO Camera

With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.

REVEAL Color Science

Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

• A new debayering algorithm combines with the ALEXA 35's impressive processing power to create cleaner-edged images that are perfect for compositing work.

• The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.

• The AWG4 camera color space is larger than Rec. 2020 but bypasses "virtual" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.

• A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.

• New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.

• The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range nor ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.

Versatile Lens Choices

• This PL Mount Set comes with an LBUS PL mount, providing compatibility with a wide array of cine-style lenses.

• Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super35, and large format options.

• The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.

Full Feature Set in a Compact Form

At 8 x 6 x 5.8", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.

Interfaces

• Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display "screensaver", creating a quick visual reminder for any stop compensation needed.

• Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.

• Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed-reality productions (MRP).

• Audio: The ALEXA 35 audio options include two internal microphones like the ALEXA Mini LF, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.

24V B-Mount Battery Power

The 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. The separately available PDM-1 Power Distribution Module can be used to add seven more accessory power ports.

Dedicated Accessories

• Accessories in this PL Mount Set include the BUD-1 Balance Utility Dovetail and a B-Mount Battery Adapter.

• Separately available electronic accessory options include the Multi Viewfinder MVF-2, the PDM-1 power distribution module, and the AEM-1 audio extension module with one AES3/AES42 and two mic/line mini-XLR inputs.

ARRI Tools and Apps

Make both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files, for SDR and HDR conversions, and to export Apple ProRes, OpenEXR, and TIFF files.

With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.

Firmware Update v.2.0

With firmware update 2.0, Sony aligns the FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.

When updating from v.1.01 or earlier:

• Note your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01

• S-Log2 will no longer be included; you must use S-Log3

• Connecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.

• Note that the NFC one-touch connection function will no longer be available

Expressive UHD 4K Video Capture

The FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

4K Full-Frame CMOS Exmor R Sensor

A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.

S-Cinetone Color

Beautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.

Video Recording

Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.

• Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60

• Dual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording

• Super35 1080p capture at rates up to 240p

Steady Focus

• Now even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.

• Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.

• Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame

Ergonomic Form for Solo Operation

The FX3's cage-free design enables you to mount ¼"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.

Easily Viewable Tally Lights

Top, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.

Quality Audio Options

Pro audio recording options include:

• A detachable XLR adapter handle with two XLR-1/4" TRS combo audio inputs

• A mic holder and a 3.5mm input for adding a microphone

• Up to 4-channel, 24-bit audio recording

Remote Control, Streaming, and Transfers

Control your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.

Post-Production Stabilization with E-Mount Lenses

• Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image

• An adjustable balance between shake compensation and image area trimming lets you fine-tune the image

Improved FX3 Features

The FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.

Common FX3/FX6/a7S III Features

Like the FX6 and the a7S III, the FX3 features:

• Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor

• High-speed rates of 120p in 4K and 240p in HD

• A dynamic range of 15+ stops

Shared FX3/FX6 Attributes

Attributes that the FX3 has in common with the larger FX6 camera include:

• S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options

• Tally lamps on the front, side, and rear

• An internal fan to prevent overheating

• A zoom lever for easy frame adjustments

Shared FX3/a7S III Attributes

Attributes that the FX3 shares with the a7S III include:

• 5-axis in-body image stabilization

• 16-bit raw output via HDMI

• S-Log2 gamma choice

• 80 to 409,6000 ISO range (expanded)

Wireless Connectivity

• Dual-band 2.4/5 GHz wireless connectivity

• Wired LAN link using the USB Type-C port and a separate adapter

The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.

4K Full-Frame Exmor R Sensor

The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.

Compact, Single-Operator Design

Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.

Versatile Addition to Sony Cinema Line

As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.

Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:

• It matches the FX9's video capture up to DCI 4K60

• Has the same S-Cinetone, S-Log3, and HLG gamma choices 

• Outputs 16-bit raw like the FX9

• Sony E lens mount

• Offers the same 1/4 to 1/128 ND options

• Also provides 2-channel XLR audio inputs

FX6 differences from the FX9:

• 4K capture vs 6K

• Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port

• Incorporates a timecode port but lacks the FX9's genlock connector

Improved FX6 specs include:

• An ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range

• Top frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD

• Dual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option

Firmware Update v1.10

• Adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I

• Improves the overall stability of the FX6 camera

15+ Stops of Dynamic Range

• Captures a whopping 15+ stops of dynamic range

• Creates nuanced, high-resolution images

• Select the Cine EI mode with S-Log3 for the maximum dynamic range

Wide ISO Range

Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.

Electronically Variable ND Filters

• Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions

• Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot

• Both options will produce properly exposed images without affecting your chosen depth of field

Advanced XAVC Codec Options

The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s.

High Frame Rate Selections

For slow-motion and fast action looks, choose from full-frame rates ranging from:

• 1-60 fps in HD to DCI 4K resolutions

• 100 or 120 fps in HD through UHD 4K 

• 150, 180, 200, or 240 fps in Full HD 

Super35 choices include:

• 1-60, 100, and 120 fps in Full HD

Expressive Cinematic Look

Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.

Fast Hybrid/Phase Detection Autofocus

• The FX6 is compatible with 50+ native Sony E-mount lenses

• Improved autofocus choices include Face Detection and Eye Autofocus modes

• Enables rapid focusing with extremely sharp accuracy, even in lower-light settings

• The phase detection autofocus uses seven transition-speed steps and five subject-sensitivity

Image Stabilization and More with Catalyst and Metadata

Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction.

Touchscreen 3.5" LCD Control

The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels.

Reliable Design and Construction

Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.

4-Channel Audio Recording

The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.

Professional Input/Output Interface

• FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring

• Provides an HDMI output and 12-bit raw output via SDI

• Has a timecode input and output for syncing multiple cameras

• Incorporates a built-in Wi-Fi module

CFexpress Media Slots and Multiple Recording Modes

The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture.

Modular, Grab-and-Go Design

The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.

Content Browser Mobile Compatibility

• Use the separately available Content Browser Mobile app with a compatible smartphone or remote control

• The FX6's Wi-Fi function enables remote monitoring and focus/iris/zoom control

RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.

All-in-One Design

Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.

Firmware Update v.1.5.5

• Fixed playback stuttering at high frame rates, German SLA causing a camera shutdown, and RFB raw metering in 6K full frame

• Improved LCD sync issues in playback with anamorphic formats

• Improved general stability

6K S35 Sensor

• The KOMODO 6K features a 6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160

• Take advantage of the 6K resolution to capture in 6K full frame or do a 4K or HD crop

• Use the higher resolution to stabilize your shot in post-production

Global Shutter

The KOMODO 6K's global shutter produces crisp images while reducing motion artifacts.Records fast-moving action the way it should be without blurred or curved lines.Captures every moment, burst, and flash without losing any dynamic range or image quality.

Canon RF Mount

The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.

Phase-Detect Autofocus

A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.

REDCODE RAW

The robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time. The KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.

CFast Recording

Capture at rates up to 280 MB/s on RED PRO or qualified third-party CFast 2.0 cards.

REDCODE Options

• HQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion

• MQ is great for cinema and high-end TV projects

• LQ is ideal for TV, online content, documentaries, interviews, and long takes

Apple ProRes Formats

For proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K).

Color Management

Supports 3D LUTs and RED color science.

Touchscreen Display

Integrated 2.9" touchscreen LCD screen for video preview and camera control.

Versatile Power Options

The KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply.

Pairing streamlined, dependable multicamera setups and rich, natural Super35 imaging, the ARRI AMIRA Live Camera delivers an efficient, cinematic workflow for your live broadcast needs. Using the same ALEV III Super35 sensor as the rest of the AMIRA line, the AMIRA Live ticks off cine-style boxes like shallow depth of field, high dynamic range, the ARRI Look Library, and 3D LUT support. At the same time, its cable-free configuration with the separately available 1800 fiber back aligns the AMIRA with more typical broadcast-style cameras, eliminating the dreaded accidental disconnect with potential port damage and speeding your build time.

Created specifically for multicamera use, the AMIRA includes the Advanced, UHD 4K, and ARRI Look Library License Keys to help match your AMIRA or ALEXA footage. Shared AMIRA functions include a 14+-stop dynamic range, an EI range of 160 to 3200, motorized ND filters, CFast 2.0 recording, and a pre-record buffer. This camera's versatile recording options include up to 2.8K ARRIRAW, UHD 4K60 ProRes, and from 1-200 fps in 2K and HD ProRes.

With SUP 6.1, ARRI introduces enhanced multicamera functions like an always-welcomed faster boot-up time, improved sharpness and noise reduction, user-button intercom talkback for easier shoulder-mounted communication, and a green tally viewfinder function. And in a boon for shooters used to cine-style capture, SUP 6.1 also eliminates the need for a separate box for direct RCP iris control of cine-style lenses when using RF FIZ motors.

Bespoke Multicamera Design

All cables between the AMIRA Live camera and an 1820 fiber back have been internalized, resulting in a lower chance of accidental disconnection or port damage, speedier build times, and a neater look more in keeping with traditional broadcast cameras.

Same S35 Sensor as ALEXA for Cinematic Look

The AMIRA Live uses the same ALEV III Super35 CMOS sensor as the ALEXA line, providing outstanding image quality, advanced color science, natural skin tones, and over 14 stops of dynamic range.

Up to 2.8K ARRIRAW/UHD 4K60 ProRes Capture

Versatile recording options include 2.8K ARRIRAW, UHD 4K60 ProRes, and 1-200 fps capture in 2K and HD ProRes for slow-motion, intervalometer, and stop-motion effects.

Simultaneous Recording and Streaming

Record in-camera to CFast 2.0 cards while simultaneously transmitting live, cinema-quality HD, or UHD images to a broadcast facility, viewing monitor, or social media platform.

Interchangeable Lens Mounts

Separately available lens mounts include PL, LPL, EF, B4, and Leitz M options, providing compatibility with a wide array of both cine-style and broadcast lenses.

8K Interchangeable Sensor Digital Cinema Camera

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery. Dual ISO

The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. 

Sensor

The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.

Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Lens Mount

• The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.

• Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.

Internal ND Filters

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops).

Servo Control

The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in an underwater housing.

Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39' for placing the sensor and your lens in places too small for the camera body, the camera's smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.

Internal Recording

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

Super35 17:9 and 16:9

These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.

Color Gamut

The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony's S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2's 6K and 8K sensors match colors almost perfectly, making your grading experience even better.

No Jello Effect

The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

New VENICE 2 Functions

• Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing

• Apply LUTs to your 4K or HD (6G/1.5G-SDI) output

• LUT/ART/CDL file import via Ethernet/Wi-Fi

• ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata

• VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

• The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera

• Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)

• Support for the X-OCN XT recording format

• De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x

• Cache rec function

• AXS Relay rec function

• Simultaneous format

• Support for 6G/12G output SDI

• Improved imaging assist function

• Support for CBK-WA02 Wireless LAN Adapter

• Improved VF menu operations and Frame Line setting

• Support for CDL files

• 5.7K at 16:9 up to 72 fps

• 4K at 6:5 up to 72 fps

• 3.8K at 16:9 up to 110 fps

• 3D LUT viewable in the viewfinder

• ART (Advanced Rendering Transform) file imports

• Updated switching for SDI 1-4 3G-SDI level A/B

• Addition of second user frame line of 9:16 and 1:1 preset

• Record beep and alarm volume adjust

• Ability to maintain CamID+Reel# when loading ALL file

• Displaying of Genlock and TC lock status on OSD

• Setting of de-squeeze on/off via the USER button

• Updated RCP Call function

• Record gyro information in metadata

• Support for ZEISS eXtended Data from FUJINON Premista-series lenses

The GoPro HERO10 Black Deluxe Kit put together by B&H includes the HERO10 Black action camera, a battery, mounting buckles, a USB cable, a small case, an extra battery, a dual-battery charger, a 64GB microSD card, a Shorty handle/tripod, a head strap with quick clip, a Chesty chest strap, and a soft-sided Casey LITE to carry the whole kit.

The HERO10 Black adds improved image stabilization, 5.3K60 video capture, 23MP stills, and many other improved features over its predecessor model. The included GoPro Shorty accessory works as a handgrip, mini tripod, and extension arm. The head strap and Chesty join the basic mounts, providing a variety of mounting options when you are performing motion shots.

Read more below about the items in this kit.

GoPro HERO10 Black

Updating their flagship action camera with a 23MP sensor and a new G2 chip design for enhanced functionality, the HERO10 Black from GoPro adds more speed, performance, touch control responsiveness, and higher frame rates, rounding out this full-featured action camera. This newest model provides high-detail 5.3K60, 4K120, and 2.7K240 video and 23MP photos with updated professional settings and practical functions from its predecessor, the HERO9.

The front display, which in the previous HERO model showed status information, is now larger at 1.4" and offers a live view, allowing you to frame shots for vlogging and similar uses. A new HyperSmooth 4.0 digital image stabilization with in-camera horizon leveling lets you produce even smoother, more stable videos without a gimbal. While still a full-on action camera, the HERO10 Black makes use of its immense feature set to also let you use it as a webcam and for 1080p Full HD live streaming, and it also automatically connect to the cloud, allowing your footage to be uploaded while you shoot when you have a GoPro subscription. It provides a comprehensive solution for all your action cam adventures and it maintains a robust design that's 33' waterproof without an external housing required. An optional dive housing can additionally be used to take the camera into much deeper waters.

While all these features already combine to offer a powerhouse system, the HERO10 Black is further complete with many other features carried over from previous versions of the camera, some of which have also been enhanced. The suite of Power Tools remains consistent, including HindSight, and when turned on, it allows you to record 30 seconds of video prior to your hitting the record button, ensuring you'll never miss that important unexpected moment at a sports game or other event. These include a large 2.3" rear touchscreen with touch zoom, raw photo, and audio capture, looping video, horizon leveling, data overlays, time-lapse and night-lapse, LiveBurst to capture 1.5 seconds before and after your shot, 8x slo-mo, a 100 Mb/s bit rate, three microphones with advanced wind noise reduction, Protune features with professional video and audio settings, 14 voice commands such as, "GoPro, take a photo", and much more.

The HERO10 Black has a built-in, flip-out 2-prong mount on the bottom, letting you easily attach it to a large series of mounting accessories available from GoPro for all your applications, whether extreme sports or live streaming to Facebook. Multiple optional add-on mods are offered, such as the Max Lens Mod, which allows you to add an ultrawide 155° angle of view to assist in HyperSmooth stabilization. With social media in mind, the camera also lets you switch into portrait mode to capture images in the format ideal for platforms such as Instagram. The battery for the HERO10 Black has the same, long-lasting 1720mAh capacity as the HERO9, allowing you to operate the camera for long periods on a single charge.

Revolutionary Processor

The powerful new GP2 engine changes the game-snappy performance, responsive touch controls and doubles the frame rate for amazingly smooth footage. Designed specifically for the demanding nature of the GoPro, the GP2 "system on a chip" is by far the fastest.

New Front Screen + Performance Enhancements

Framing your shots for vlogging and selfies is better than ever with a high-quality front LCD screen with a smoother frame rate and crisp detail. Touch controls are snappy too, so the shutter is more responsive. Live streaming with HERO10 Black looks better than ever, and webcam functions are easy and seamless.

High-Res Photos + Videos, High Frame Rate

Step up to the sharpest-shooting GoPro ever. Upgraded to incredible 23MP photos and 5.3K video resolution at 60fps, HERO10 offers double the frame rate for amazingly smooth motion. Plus, there's 8x slo-mo at 2.7K and you can pause videos and grab 15.8MP still photos from 5.3K video that look amazing.

Sharp Image Quality

Shoot with fine detail, realistic textures, and stunning contrast, even in low light. Images look their best thanks to a new water-shedding hydrophobic lens cover that repels water while helping to eliminate lens flare and other artifacts.

Rugged and Waterproof to 33'

Completely waterproof and tougher than ever, HERO10 Black is versatile enough for any adventure. Its rugged build quality can take a beating and keep going, whether you're ripping through mud, snow, or water (to depths of 33'). The durable and scratch-resistant lens cover adds even more protection and can be easily replaced if needed.

HyperSmooth 4.0

HyperSmooth has never been smoother, and it's easy to dial in the best stabilization at all times. Plus, get even better low-light performance and horizon leveling with a higher tilt limit, so your footage looks perfectly straight when you want it.

Fast, Reliable Connectivity

Super easy, super fast. Transferring photos and videos from your cloud-connected GoPro to your phone is simple and versatile, with your choice of effortless wireless upload via the Quik app or a lightning-fast wired connection via USB 3.1 Gen 1. There's also unlimited cloud storage with hassle-free auto upload. Just plug in your camera when connected to your home Wi-Fi and the camera does the rest.

Long-Lasting Battery

A large-capacity, 1720mAh lithium-ion rechargeable battery provides tons of juice, so you can spend more time shooting and less time swapping batteries.

Webcam + Live Streaming

Use your GoPro as the hottest webcam in the game. This versatile functionality carries over to live streaming, where your shots look incredibly stable as you vlog your next activity with buttery HyperSmooth stabilization and sharp resolution.

Optional Max Lens Mod

Pop on the optional Max Lens Mod for the widest-ever field of view on a HERO camera, an amazing 155°, plus get unbreakable Max HyperSmooth stabilization.

UPC: 818279027211

GoPro Dual-Battery Charger with Two Enduro Batteries for Select HERO Black Cameras

This Dual-Battery Charger with Two Enduro Batteries from GoPro outfits you with two high-powered Enduro batteries and a dual-battery charger to expand your power capabilities for your HERO9, HERO10, HERO11, or HERO12 Black. The Enduro battery has a 1720mAh capacity and increases your recording time. Its built for performing in colder temperatures down to 14°F.

Both batteries charge 13% faster than standard GoPro batteries. The included dual-battery charger can charge both simultaneously and features a USB input port. Using the separately available Supercharger can reduce charging time by 38%. LED indicators display the charging status of both batteries.

Compatibility

GoPro HERO9/10/11/12 Black
GoPro Supercharger

UPC: 818279027976

Ruggard EVA Case for GoPro Cameras (Medium)

The medium EVA Case for GoPro Cameras from Ruggard is designed to conveniently store your GoPro camera and accessories while protecting them from bumps, dust, and moisture while traveling. It unzips on three sides for quick access to your gear and features a rigid, high-density foam interior. The interior has pre-cut slots to securely hold a GoPro camera with housing, battery, memory card, LCD BacPac, Battery BacPac, and more. There is also an accessory slot that can accommodate other accessories or a second GoPro and housing. An interior mesh pocket on the underside of the lid provides space for additional items and accessories.

Key Features

• Rigid EVA shell is weather resistant and protects camera and accessories from bumps, dust, and moisture

• Pre-cut foam interior

• Fits a GoPro camera with housing, battery, memory card, LCD BacPac, Battery BacPac, and more

• Additional slot can fit a second GoPro camera and housing or accessories

• Interior mesh pocket to store additional accessories

• Unzips on three sides for quick access to your camera and gear

UPC: 847628587700

Lexar 64GB Professional 1066x UHS-I microSDXC Memory Card with SD Adapter (SILVER Series)

Designed for action cameras, drones, and Android smartphones, the 64GB Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage capacity of 64GB and supports maximum read speeds of up to 160 MB/s and maximum write speeds of up to 70 MB/s. This card has also been designed with the V30 Video Speed Class rating, which guarantees minimum write speeds of at least 30 MB/s. All of this provides the speed and storage you need to capture more adventures on the go.

Aside from support for UHS-I, V30, and U3, Lexar also built this card with support for the Application Performance Class 2 (A2) spec, which includes optimizations to give Android users an improved mobile experience, delivering faster mobile app performance. The A2 spec allows the card to manage random read input-output access per second (IOPS) operations so it can quickly open apps and process accompanying tasks, such as audio, graphics, saved profiles, and in-app permissions.

To help increase durability, Lexar designed this card to be resistant to water, shock, vibration, x-rays, and temperature extremes. Included is a microSD to SD adapter, allowing this card to be used in SD-compatible devices.

General Features

Quick Transfer Content

This card leverages UHS-I technology to deliver read speeds of up to 160 MB/s, allowing you to transfer high-quality photos and 4K UHD video with ease

Capture the Action

Capture high-quality images and extended lengths of Full HD and 4K UHD video with maximum write speeds of 70. This card is UHS Speed Class 3 (U3), and Video Speed Class 30 (V30), giving you the performance you need to shoot faster and longer.

Load Apps Quicker with A2 Speeds

With the Application Performance Class 2 (A2) rating , this card is also great for use with applications on your Android smartphone. Quickly run and store apps directly on the A2 memory card using an Android Adoptable storage enabled device.

Designed for Durability

Lexar Professional microSD Cards provide the durability you need to capture and store valuable data in a variety of elements. These cards are rigorously tested, and designed to be resistant against water, shock, vibration, and x-Rays.

Rigorously Tested

All Lexar product designs undergo extensive testing in the Lexar Quality Labs, facilities with more than 1100 digital devices, to help ensure performance, quality, compatibility, and reliability.

UPC: 843367122004

GoPro Shorty for GoPro HERO9/HERO10/HERO11 Black (Black)

If you need to quickly set up your HERO on a level surface, or just grab an impromptu handheld shot, the Shorty for GoPro HERO9/HERO10/HERO11 Black in black is a grab-and-go solution. Its pocketable form factor makes it easy to take along wherever you go. For locked-down shots, simply secure your HERO camera's frame or housing using the standard 3-prong accessory interface, position the tripod where you need it, extend the pole for extra height, and start filming. Alternatively, keep it folded up and use it as a handgrip.

UPC: 818279015867

GoPro Head Strap 2.0

Immerse your viewers in a POV video experience with this Head Strap 2.0 from GoPro. This redesigned elastic strap fits all head sizes and features a center strap for added stability. The mounting clip on the front features a standard 3-prong GoPro camera mount and can be removed to clip onto a cap, strap, or belt for additional mounting options.

Key Features

Head Strap 2.0 is fully adjustable to fit all head sizes and mounts any GoPro camera

It can be strapped to a helmet or directly on your head in a headlamp-like position

The removable clip allows you to attach your GoPro to backwards baseball caps, belts, straps, and more

The clip enables ultracompact, low-profile mounting

UPC: 810116380060

GoPro Chesty (Performance Chest Mount)

This GoPro Chesty (Performance Chest Mount) has a padded design that is more stable and comfortable on your chest. It's made with breathable materials that further add to the comfort aspect. The Chesty features a standard 3-prong mount and allows you to capture hands-free POV shots with GoPro cameras in nearly all activities, including high-performance activities such as skiing or motorbiking. You can also mount a GoPro Karma Grip onto the 3-prong mount by using the Mounting Ring that comes with the Karma Grip. The Chesty is adjustable to fit most body types as well as over heavy winter coats. It secures on using a quick release buckle that's easy to handle even with gloves on.

Adding a 23.6MP sensor and new key design and engineering features, GoPro upgrades its flagship action camera with more of everything with the rugged HERO9 Black, providing high-detail 5K30 video and 20MP photo capture alongside new collections of professional settings and practical functions.

The front display, which in the previous HERO model showed status information, is now larger at 1.4" and offers a live view, allowing you to frame shots for vlogging and similar uses. A new HyperSmooth 3.0 digital image stabilization with in-camera horizon leveling lets you produce even smoother, more stable videos without a gimbal. While a full-on action camera, the HERO9 Black makes use of its immense feature set to also let you use it as a webcam and for 1080p Full HD live streaming, providing a comprehensive solution for all your action cam adventures and more in a robust design that's 33' waterproof without an external housing required. An optional dive housing can additionally be used to take the camera into much deeper waters.

Another new addition is a suite of Power Tools features, including a feature called HindSight that, when turned on, allows you to record 30 seconds of video prior to your hitting the record button, ensuring you'll never miss that important unexpected moment at a ball game or other event.

While all these features already combine to offer a powerhouse system, the HERO9 Black is further complete with many other features carried over from previous versions of the camera, some of which have also been enhanced. These include a large 2.3" rear touchscreen with touch zoom, raw photo and audio capture, time-lapse and night-lapse, 8x slo-mo, an advanced 100 Mb/s bit rate, three microphones with advanced wind noise reduction, Protune features with professional video and audio settings, 14 voice commands such as, "GoPro, take a photo", and much more.

The HERO9 Black has a built-in, flip-out 2-prong mount on the bottom, letting you easily attach it to over 45 mounting accessories available from GoPro for all your applications, whether extreme sports or live streaming to Facebook. Moreover, to further expand the functions of the camera, multiple optional add-on mods are offered, such as the Media Mod, which adds an external mic and additional mounting and signal output options for more of a multimedia workflow. With social media in mind, the camera also lets you switch into portrait mode to capture images in the format ideal for platforms such as Instagram. The battery for the HERO9 Black has a 30% longer, 1720mAh capacity in comparison to the previous model's battery, allowing you to operate the camera for longer periods on a single charge.

5K Video

Capture up to 5K30 resolution video and maintain high detail even when zooming in. Packing a new 23.6MP sensor, the HERO9 Black brings lifelike image sharpness, fluid motion, and in-camera horizon leveling for optimal image quality.

20MP Photo with SuperPhoto

Shoot crisp, pro-quality photos with 20MP clarity. Apply SuperPhoto to automatically pick all the best image processing to easily get the right shot.

Expandable Mods System

The HERO9 Black is compatible with multiple add-on mods that expand the camera for a more comprehensive workflow. The optional mods include the Max Lens Mod, Light Mod, and Media Mod. Between these mods, you can achieve horizon locked footage, LED illumination, external mic recording, and more.

Built-In Mounting

No more carrying a separate frame. Just flip out the folding fingers and attach your camera to virtually any mounting accessory.

Front Display + Rear Touchscreen

The rear touchscreen of the HERO9 Black is larger than in the previous model of the camera but offers the same familiar features, including touch zoom. The front display has also been upgraded and now shows a live preview in addition to status indicators. You can now frame your shot right from the front display.

Powerful Battery

The HERO9 Black's 1720mAh battery has a 30% longer battery life than the battery of the HERO8 Black.

HyperSmooth 3.0

The GoPro HERO9 Black features a more advanced video stabilization with HyperSmooth 3.0, which enables in-camera horizon leveling and boost in all settings.

Horizon Leveling

In-camera horizon leveling (up to 45% tilt) is now possible with the new Linear + Horizon Leveling digital lens, helping your footage stay stable and straight.

TimeWarp 3.0

Record time-lapse scenes as you move on the road, on foot, or anywhere else. TimeWarp 3.0 condenses time, capturing moments with features like Speed Ramp, which lets you select Real Speed (now with audio) or Half Speed while recording.

Intuitive Touchscreen

The rear touchscreen makes it easier to control your camera, frame up your shot, play back footage, snap a selfie, and more.

Live Streaming in 1080p

Live stream in 1080p HD to social media via the GoPro app with HyperSmooth stabilization applied, and feel free to save your streamed footage to a microSD card to check out later. (The GoPro app is compatible with iOS and Android; microSD cards are sold separately.)

Webcam Mode

Connect the HERO9 Black to your computer to broadcast in 1080p HD. Use optional GoPro mounts to create your ideal webcam setup.

Rugged + Waterproof

The HERO9 Black is designed rugged for virtually all weather conditions and is waterproof down to 33' right out of the box, without any waterproof housing required.

Power Tools

The HERO9 Black features the Power Tools suite of smart capture settings that extend capture options with tools like HindSight, LiveBurst, Scheduled Capture, and Duration Capture.

Power Tools HindSight

HindSight captures video from 30 seconds before you press record, so you'll never miss a moment again, like that unexpected first base hit. With HindSight turned on, the camera will capture 30 seconds of video before you hit the shutter button, and everything after, until you stop recording.

Power Tools LiveBurst

Record what happens 1.5 seconds before and after your shot, then pick your favorite single frame for the best pic or a shareable video.

Power Tools Scheduled Capture

This feature lets you schedule the start time for your shot in advance.

Power Tools Duration Capture

Choose how long the HERO9 Black records before automatically stopping.

Night-Lapse Video

Shoot time-lapse videos at night in 4K, 2.7K 4:3, 1440p, or 1080p, all processed in-camera.

Presets + Custom Presets

The HERO9 Black comes preloaded with recommended video presets for Standard, Activity, Cinematic, and Slo-Mo shots. You can even create custom presets for quick access to your favorite settings.

Digital Lenses

Epic shots are as easy as tapping a digital lens. Now you can switch between Narrow, Linear, Wide, SuperView, and Linear + Horizon Leveling.

Voice Control

Go hands-free with 14 voice commands like "GoPro, take a photo." Even if the camera is off, you can say, "GoPro, turn on." The HERO9 Black understands English (US, UK, AU, and India), Chinese (Mandarin), French, German, Italian, Japanese, Korean, Portuguese (BR), Russian, Spanish (EU and NA), and Swedish.

Portrait Orientation

Capture photos and videos in portrait orientation for your Snapchat and Instagram.

Timer

Get yourself in the group shot or group video. Timer makes it easy to grab a GoPro selfie or get your whole gang in the frame.

Raw Photo

Raw mode provides the most flexibility in editing and is available for single- and multi-shot sequences as well as time-lapse and burst photos.

8x Slo-Mo

Ultra high frame rate 1080p240 video with HyperSmooth 3.0 stabilization allows up to 8x slow motion for this ever-popular effect.

USB Type-C Offload to Android Devices

Transfer pics and videos fast via an included USB Type-C cable, compatible with Android devices.

100 Mb/s Bit Rate

Create studio-quality footage with bit rate options of up to 100 Mb/s.

HEVC Video Format

Use High-Efficiency Video Coding (HEVC) to shrink file sizes without losing picture quality.

Data Overlays + GPS

Showcase your location, altitude, and speed on your final image by adding Data Overlays to your videos in the GoPro app. Options include Speedometer, GoPro logo, GPS Path, Altitude, Map, Speed chart, and G-Force. (Note: You must enable GPS on your camera to add GPS Data Overlays to videos in the GoPro app.)

Face, Smile, Blink + Scene Detection

The HERO9 Black recognizes smiles, blinks, and more. The GoPro app uses those details to intelligently pick your best photos and videos to create impressive video stories.

GoPro App

The app lets you control your camera remotely, start and stop recording, and offload media. Plus, you can make single- and multi-clip edits and share them, all from your phone.

Subscribe to GoPro

Back up everything you shoot to the cloud automatically with an optional GoPro subscription, which also includes options for damaged camera replacement. (The subscription service is available in select countries.)

Fast Charging Ready

Get back out there faster. The GoPro Supercharger power adapter, sold separately, charges your battery up to 35% quicker compared to a conventional 5V, 1A USB charger.

GoPro Mounts + Accessories

The HERO9 Black is compatible with 45+ GoPro mounts and accessories, including mods that add multi-production tools.